Boomers Grew Along With Weather Forecasting

The rash of weather-related events in recent times — hurricanes, floods, tornadoes, wildfires, ice and snow storms — have never been better forecast and reported on than they are today. Continuous weather alerts via smartphones and 24-hour weather channels make us more connected to the weather than at any time in history. Boomers are especially positioned to have seen the evolution of that reporting, from the early days of television to today.

Of course, weather reporting did not start with the boomer years. It goes way back before the country was founded, but our Founding Fathers appreciated the advantage that weather reports could give them as merchants, mariners, farmers and military leaders. In particular, George Washington and Thomas Jefferson were avid weather observers, noting temperatures and observations in daily diaries. Jefferson had a thermometer and barometer — one of the only instruments of its kind in the U.S. at the time — at Monticello, and took daily notes of the data.

Once the telegraph allowed for reporting from all parts of the country around 1849, the Smithsonian Institution supplied weather instruments to telegraph offices, which would report back on a daily basis. By 1870, a national weather service was instituted to inform military stations of impending storms, which for the first time gave ordinary citizens information that would affect their lives. In the 1920s, the National Weather Bureau provided daily reports to the fledgling aviation industry.

During WWII, weather reporting was vitally important in many battles, especially the Normandy Invasion. Weather data on winds and tides allowed analysts to correctly interpret how the heavy fog, rain and wind of that day would lift, thereby first giving cover to the approaching invasion fleet, then as the weather improved, a better fighting circumstance for troops. In 1945 there were 900 women working for the Bureau, filling positions that were held by men who had been called to military duty.

The Boomer Generation years of 1946-1964 were extremely important to the advance of weather reporting, especially on TV:
• In 1948, the U.S. Weather Bureau gave the first tornado warnings in Oklahoma; national tornado forecasts began being issued in 1952.
• In 1950, the first 30-day outlook forecasts were released.
• In 1954, the first radar specifically designed for meteorological use was put into service by the U.S. Air Force.
• In 1957-58, the year was named The International Geophysical Year to mark the first time meteorological research data was shared among world scientists.
• In 1958, the first U.S. satellite, Explorer I, was launched to observe weather. Data from the satellite is credited for the discovery of the Van Allen Belts, Earth’s magnetic fields.
• In 1963, the first polar-orbiting weather satellite, TIROS III, was launched. It provided, for the first time, continuous images of cloud cover across the globe.
• In 1970, the U.S. Weather Bureau was renamed the National Weather Service

The British were the first to broadcast a televised weather report, with the male meteorologist standing in front of a map on a chalkboard, in 1949. The first U.S. TV weather report broadcast came out of Cincinnati in the late-1940s to early 1950s. In 1952, the FCC opened up competition for local TV station licenses, and stations saw that weather was the one place where they could get attention and distinguish themselves from competitors. By the early 1950s, weather was seen as a chance to insert comic relief into the seriousness of the daily newscasts.

Heading into the mid-boomer years, it was understood that weather forecasting was far from an exact science, so anyone with sufficient charisma and charm was tapped to report the weather. Consequently, weather reports were, depending on the positioning of the local TV station, a serious affair or a comedic interlude. A series of people, from puppeteers and poets to serious meteorologists and newsmen, were given the job at local stations. All sorts of “wacky weathermen” were reporting from local stations coast to coast. Boomers will recall the joking and physical humor of their local weather forecasters while giving the weather report; they became much-loved personalities in their own right.

Carol Reed is credited with being the first TV “weather girl,” reporting for WCBS-TV in New York City from 1952 to 1964. She had no meteorological training, and was not on the wacky side of the equation, but was well liked by TV audiences. In 1957, the American Meteorological Society began issuing the AMS Seal of Approval as a way to get science-based on-air presenters more respect and make weather reporting less of a burlesque show. By the late 1960s, most of the wacky forecasters were replaced by increasing technological abilities onscreen and added scientific data.

Mister Boomer recalls the weather forecasters in his youth. Of course, the Today Show with Dave Garroway was part of the family’s morning ritual. After national news was relayed, local stations could insert their forecasts into the program slot, so mothers knew how to dress their kids for school. What seemed ubiquitous to Mister B in the early days were the chalkboards. It was all men reporting the weather in Mister B’s area, and they would painstakingly draw warm, cold and stationary fronts on national and state maps affixed to the chalkboards, indicate temperatures in the region and forecast the highs and lows for the day as well as a general indication of sun, rain, wind, sleet, snow, heat or cold. One local station had a guy who could turn every forecast into a series of weather-related puns.

Weather forecasting has come a long way, both in format and scientific accuracy, since our boomer years. If recent tracking of impending hurricanes and “snowmaggedons” are any indication, understanding the weather in the near future will be as commonplace as our personal home assistants telling us to put on a sweater as an Alberta Clipper approaches the area.

Do you have fond memories of weather men — and women — from your early boomer years?

Boomers Know Real Christmas Music Classics

Recently, Mister Boomer came across a seasonal article comparing the “Christmas Divas,” Mariah Carey and Gwen Stefani. While Ms. Stefani has released her first Christmas album this year, Ms. Carey has connected her brand with Christmas music since her smash seasonal hit, All I Want for Christmas is You, twenty-three years ago in 1994. Mister B recalls hearing it somewhere through the years, probably in a retail setting somewhere around Halloween. That song, according to the article, is now considered a classic. A classic? Mister Boomer has socks older than that song.

That got Mister Boomer thinking about the Christmas music classics that we heard as kids, and occasionally hear today. The market for Christmas music, like so many things, grew exponentially after WWII as boomer families got their first record player or phonograph/TV console.

While stars of earlier decades — such as Bing Crosby, Frank Sinatra, Perry Como and Dean Martin — dominated Christmas music into the boomer years, Mister B, like so many boomers, considered them old fogeys. As far as classic Christmas music of the boomer years is concerned, Mister B points to Gene Autry’s Rudolph the Red-Nosed Reindeer from 1949. It was timed right for the Boomer Generation, and got an extra boost thanks to the classic stop-action animated TV special of the same name in 1964.

The 1950s added to the roster of classic Christmas music with titles that are sure to jingle nostalgic bells for boomers:
I Saw Mommy Kissing Santa Claus, Jimmy Boyd (1952)
Santa Baby, Eartha Kitt (1953)
Nuttin’ for Christmas, Art Mooney (1955)
Jingle Bell Rock, Jimmy Boyd (1957) [Brenda Lee’s version was released in 1964]
Santa Bring My Baby Back to Me, Elvis (1957)
Run Rudolph Run, Chuck Berry (1958)
Christmas Don’t Be Late, Alvin and the Chipmunks (1958)

https://www.youtube.com/watch?v=jFMyF9fDKzE

Nestled in that list is Elvis Presley, with songs from his Elvis’ Christmas Album (1957). A multitude of songs from the album are classics in anyone’s book, including Blue Christmas and Elvis’ interpretation of Santa Claus is Coming to Town. It is the best-selling Christmas album of all time. When it was released, Elvis’ rock-and-blues version of White Christmas so irked Irving Berlin that he tried to have it banned from radio airplay. Instead, the song went to the top of the charts, and between 1957 and 1969, boomer families bought three million copies of the album. It was reissued in 1970, and together with various reissues since then, the record has sold more than 20 million copies. How is that for a classic?

Mister Boomer’s father gravitated toward Frank Sinatra and Dean Martin, but his mother loved Elvis’ Christmas Album. She would ask Mister B to play it on “the Victrola,” which is what she called the family record player that sat in the living room.

The 1960s saw an explosion of current groups recording Christmas music, as record companies saw potential dollar signs dancing in their heads. Consequently, practically every popular group released 45 RPMs or Christmas albums. The Everly Brothers got into the holiday spirit with Christmas with the Everly Brothers in 1962 while The Beach Boys Christmas Album was released in 1964. The 4 Seasons’ Christmas Album hit in 1966 and in 1968, Otis Redding released Merry Christmas, Baby.

No mention of 1960s classic Christmas music would be complete without naming Phil Spector’s A Christmas Gift for You. The album had the unfortunate circumstance of being released the day President John F. Kennedy was assassinated — November 22, 1963 — and was not well-received right away. As time went on, the album gained in popularity as people discovered the songs by The Crystals, Bob B. Soxx & the Blue Jeans, Ronnie Spector and of course, Darlene Love.

Already a classic song by a classic performer, David Letterman so enjoyed Darlene Love’s performance of Christmas (Baby Please Come Home) on The Late Show in 1986 that he asked her to come back and sing it every year until the show ended in 2014. Take that, Christmas divas!

By the time the 1970s arrived, it looked like the creative burst of popular Christmas music had run its course. The Temptations Christmas Card, released in 1970, rehashed some old chestnuts to little fanfare. As far as Mister Boomer is concerned, the nail in the coffin of classic Christmas music came with two songs released in the 1970s: Jingle Bells by the Singing Dogs and Grandma Got Run Over By a Reindeer, by Elmo ‘n’ Patsy in 1979. Like an ice bucket challenge gone awry, Christmas music has all but been the fruitcake gift for boomers ever since. Is it any wonder why so many people dislike Christmas music these days? If only they were there when we were, they’d see that classic Christmas music was more than a holiday novelty, it was good music.

What’s your take on classic Christmas music, boomers?