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Boomer Boys Learned How to Dress Like Gentlemen

The cultural break between the early sixties and the latter part of the decade has been written about many times, including here at misterboomer.com. Yet Mister Boomer, as a mid-generation boomer, recalls the late 1950s and early ’60s as a time of set fashion social mores that fathers would teach sons, and mothers would teach daughters.

One of these fashion social mores — how to be a gentlemen — was, as far as Mister B was concerned, a minefield filled with potential faux pas. It was a time when there was a definite difference in the way people dressed for formal occasions and casual ones. Dress clothes for the proper gentleman meant a suit and tie, and in the early part of the Boomer Generation, a hat. Situations that called for dress clothes were weddings and funerals, to be sure, but also for weekly church attendance, going to the theater, holiday parties, and travel by train, ship or plane. Men usually dressed for any business situation, too, such as applying for a bank loan or attending a house closing.

As a boy, Mister Boomer’s clothes, like other boomers his age, were selected and purchased by his parents. Consequently, he and Brother Boomer had a set of dress clothes and casual clothes. (Mister B and his brother also had a third set that was school clothes to match the required dress code). For Mister B and Brother Boomer, it also meant a hat. Their father was part of a growing trend of post-war men who did not wear hats, yet he raised his boys with the fashion and showed them how and when to take the hat off, and how to correctly store it. In the Boomer family’s church, men took their hats off when entering, while women covered their heads at the same time. Once seated in a pew, the church had a clip installed every yard on the back of each pew that was designed to hold a man’s hat. Mister B’s father demonstrated this for his boys until they understood what the clip was for and how to use it.

There was another thing Mister B’s dad showed his boys in church: how to correctly move the pant crease from their suit pants when sitting down. A sharp-dressed man’s dress pants were pressed with a crease that ran down the front of the leg that was sharp enough to cut titanium. The only possible reason to move the crease away from the front-center of the leg that Mister Boomer can think of is, in an age before the proliferation of permanent press and no-iron fabrics, the crease might hold longer if protected when sitting down. A gentleman would need to keep his crease lest he be thought less of — a faux pas no father wanted for his boys since their appearance reflected on his status as a parent.

Mister Boomer’s father would get the attention of his two boys and, as he sat down, grabbed the front creases of both pant legs with the thumbs and index fingers of his hands. In one motion, his hands had gracefully pulled the creases to the outer side of each leg. Sometimes he demonstrated the process again, since the boys must have displayed quizzical looks. Brother Boomer caught on to this seemingly simple process fairly early on, but it flummoxed Mister Boomer into the 1960s. His father let him be as each week, Mister B grabbed the creases of his pant legs and frantically pulled them, only to end up with the creases remaining where they started. Mister Boomer waded that minefield each week, and failed. He never was able to get the creases pointing in the “correct” direction.

By the late sixties, the casualization of America had begun, and, along with the availability of permanent press and no-iron pants, made the whole process obsolete. That was not a moment too soon for Mister Boomer, who did not understand to begin with why society felt a gentleman had to do that.

Do you remember shifting your dress pant creases, boomer men? And boomer women, what fashion quirks did your mothers show you?

posted by Mister B in Fashion,Pop Culture History and have Comment (1)

Boomers Did Not Question School Starting Times

Kids are back in school just about everywhere this week, prompting fresh controversy in the news about starting times. School start times vary from state to state and in some cases are local school district decisions. Every few years, a new report surfaces that says middle and high school start times are too early. This latest round of news is courtesy of the U.S. Department of Education’s National Center for Education Statistics, which stated that the average national start time is 8 a.m. According to the American Academy of Pediatricians, the National Sleep Foundation and others, the recommended start time for adolescents would be 8:30 a.m. or later.

Though Mister Boomer could uncover no corroborating evidence, it seems logical to him that school start times were based on when parents of a particular region felt they could get their children to school. Consequently, the average start time has not changed much since the 1930s.

Contrary to the sitcoms of the boomer era, the majority of fathers in the country worked in manufacturing jobs in the 1950s and ’60s. Work start times were 7 a.m. or earlier, so dads would often be gone before the children got out of bed. Nonetheless, it was considered a woman’s job to get the kids off to school. Since it was also the woman’s job to get her husband a breakfast before he went off to work, presumably she would have time when her husband walked out the door to wake the kids, prepare their breakfast and see them off to school between 7:00 and 7:30 a.m. At least this train of thought fits Mister Boomer’s experience, and every family of the kids he knew at the time.

Of course, by the very early sixties, his mother revolted and refused to get up to cook Mister B’s father a breakfast. Soon after, she announced she wasn’t getting up to see her kids off to school, either. No matter to Mister Boomer and his siblings, as they ate a bowl of cereal (and later, Carnation Instant Breakfast and Pop Tarts) and learned to pack their own lunches before walking two miles in a snowstorm to get to school before the 8 a.m. start time. But we digress.

Several scientific experts are stating that kids need at least 8 hours of sleep, and later start times in some counties is supporting evidence that students are more alert, ready to learn, and are more productive. Coaches are saying they notice the later start times are contributing to better performance in sports as well.

Then again, there is a report that says two out of every three teens get less than the recommended eight hours of sleep. Of course, the question immediately arises that, if kids need eight hours of sleep, why aren’t they going to bed earlier? Mister Boomer recalls an expanding bedtime schedule as he grew; in his younger years, it was 9 p.m. but by the time he was a teen, he often stayed up to 10:30 or 11 p.m. Since his alarm went off at 7 a.m., presumably he and his siblings got the requisite eight hours. That was then. Nowadays, kids have so many more distractions than boomers did, first among them the smart phone. There is one report that says on average kids spend the first hour when they go to bed on their phones, texting, watching videos and updating social media posts.

In boomer days, if a peep was heard from the bedrooms down the hall, parents might shout out, “shut up and go to sleep!” It seems these days that parents do not command that level of authority. Mister Boomer works with one Gen-Xer who was so frustrated by his early-teen kids’ nightly behavior that he impounded their cell phones at bedtime.


Oh, that George Jetson, dropping his kids off to school in the morning on his way to work. It seems in boomer times we could not envision a time when school would start later in the morning.

Science, however, is saying it’s not only the eight hours that are required, but the disruption of the circadian rhythm at the earlier hour that is coming into play. Certainly many a boomer recalls dozing off in an early class. And many boomers — including Mister B — can attest to napping in a 7:30 a.m. college course. In Mister Boomer’s case, it was a Humanities course. No sooner did the professor shut the lights and turn on the slide projector than he was fighting to keep his eyes open.

From Mister Boomer’s perspective on our shared boomer upbringing, there were things that just were, and that was that. School start time was never a question, it just was the time you had to be there. For the most part, he does not recall a lot of kids dozing off in class early on, either. At that time, teachers would hardly have stood for it, and might give a kid a swift whack with a ruler if a kid was discovered dozing.

Mister B is no expert on the subject, and doesn’t play one in his blog. He is just pointing out another of the growing list of differences between the generations of when boomers yawned at the dawn’s early light and today’s generation that wakes up to a blinking screen.

What time did your school start, boomers? Did you ever fall asleep in an early class?

posted by Mister B in Education,Pop Culture History and have No Comments

Boomer Songs Sang About the Working Man

As we mark another Labor Day, it’s time for our national salute to workers everywhere. Boomers have always had a special connection to working class people. After all, it was the rise of the middle class after the War that allowed the Baby Boom to come into existence. You can see this connection to workers in the music of the day.

So, in honor of Labor Day, here are a few boomer-era songs of the ’50s, ’60s and ’70s that either call out the plight of the working person or mention a profession by name:

Get A Job – The Silhouettes (1957)
Richard Lewis, who wrote the song’s lyrics, said the song came from a time when he got out of the Army and wasn’t immediately working, so his mother told him to “get a job.” Two decades later it became the signature song of Sha Na Na, who took their name from the song’s lyrics.

Five O’ Clock World – The Vogues (1965)
..When the whistle blows, no one owns a piece of my time. Is there a more perfect sentiment for Labor Day? Of course, the irony is, if you get off work at 5 p.m., then the company has in fact owned a piece of your time since 9 a.m. Still, a great song.

Working in a Coal Mine – Lee Dorsey (1966)
Occasionally Mister Boomer mimics the singer’s rendition of the last sentence, Lord I’m so tired, at work. He does realize that the millennials in his workplace have no idea what he is referencing. How long can this go on…

Sixteen Tons – Tennessee Ernie Ford (1955)
We learned in this song that digging sixteen tons of coal will only get you one day older and deeper in debt.

Coal Miner’s Daughter – Loretta Lynn (1970)
It looks like in the era when many boomer houses received coal deliveries for heating, our songs put the profession of coal miner right up there synonymously with hard work. Lynn recorded this autobiographical song in 1969, but it wasn’t released until a year later. By 1970, very few houses were still heated by coal, marking the beginning of the decline of the industry that’s still going on today.

Paperback Writer – The Beatles (1966)
Paul McCartney sings that he needs a job and he wants to be a paperback writer.

Lovely Rita – The Beatles (1967)
The singer — Paul McCartney — is said to have gotten the inspiration for this song when he saw a meter maid issuing a ticket. Some guys do love a working gal in a uniform.

Hard Day’s Night – The Beatles (1964)
It’s hard to remember sometimes that The Beatles all came from working class families themselves. Ringo came up with the phrase after the band had worked all day and night. Once it was decided that Ringo’s malapropism would make a good title for their upcoming movie, John went about writing the title song.

Please Mister Postman – The Marvelettes (1961)
Please Mister Postman, check and see / If there’s a letter, a letter for me… Who knows how much longer postmen and women will be delivering mail to our homes? Letters are few and far between these days already. Back when it was a major means of communication, the song was the first Motown song to reach Billboard’s Hot 100.

Wichita Lineman – Glenn Campbell (1968)
A lot of working people can relate to the loneliness exuded from these song lyrics written by Jimmy Webb: I am a lineman for the county / And I drive the main road / Searchin’ in the sun for another overload. The haunting melody was portrayed beautifully in Glenn Campbell’s voice. Campbell, as most boomers know, was a member of the Wrecking Crew, that group of top-notch studio musicians who appeared uncredited on dozens of hit songs throughout the 1960s. The group also backed Campbell on this recording, which became his signature tune.

Working for the Man – Roy Orbison (1962)
In this Roy Orbison song we hear the plight of the working man, in this case, in the Texas oil fields: Oh well I’m pickin’ ’em up and I’m laying ’em down / I believe he’s gonna work me into the ground …
But later in the song we learn that he’s working for this man because he’s making time with the boss’ daughter and some day he plans on being “the man” himself.

If I Were a Carpenter – Bobby Darin (1966)
The old if “I had a profession like a carpenter, would you still love me enough to get married and have a kid” song. Written by Tim Hardin, he personally performed it at Woodstock (1969). It was covered earlier by Joan Baez (1967), and Four Tops (1968), then by Johnny Cash and June Carter (1970) and Bob Seger (1972), among others. Of course, a good many boomers recall the song from Bobby Darin’s version.

Sky Pilot – The Animals (1968)
Released during the Vietnam War, the song seems upbeat in tempo, but lyrically it’s not about an airplane pilot, but rather a military chaplain trying to offer comfort to troops as they head into battle. It’s another of those tough jobs we heard about on our transistor radios.

The Boxer – Simon & Garfunkel (1969)
Here Simon and Garfunkel use a profession — a boxer — to illustrate one man’s struggle to overcome loneliness and poverty. It was the most heavily produced song the duo ever released.

Talking Care of Business – Bachman Turner Overdrive (1974)
Randy Bachman wrote this memorable ditty under the title of White Collar Worker when he was still a member of The Guess Who. The band didn’t think it was their kind of song, so he took it with him when he left. After performing the song on Bachman-Turner Overdrive’s early tours in the early ’70s, Bachman overheard a radio DJ say, “We’re taking care of business.” He took the line and replaced “White Collar Worker” with it, and the rest is history.

Car Wash – Rose Royce (1976)
This title song from the movie of the same name tells us that working at the car wash, You might not ever get rich / But let me tell you it’s better than digging a ditch … It was the group’s only hit.

Welcome to the Working Week – Elvis Costello (1977)
I know it don’t thrill you / I hope it don’t kill you … Are you seeing a pattern, boomers? Most of our songs about working say we don’t like our jobs and a good portion of the time, we tolerate them to get home to our loved ones.

If you are still working, enjoy your holiday off, boomers! Then it’s back to working for the man. What is your favorite boomer-era working song?

 

posted by Mister B in Holidays,Music and have Comment (1)

Boomers Feared the Automation Reaper

The recent buzz about the coming round of automation is instilling fear and dread in the hearts of some, while fulfilling the promised dreams of a future world for others. The interesting thing to Mister Boomer is, like Yogi Bera said back in the day, “It’s deja vu all over again.”

This has all happened before. During the Industrial Revolution, thousands of jobs were rendered unnecessary in the wake of technological advances in modern machinery. At first, small jobs were automated — the types of jobs that could save a small business owner, farmer or homemaker hours of work — and were generally well received. In other words, these devices were viewed as labor savers rather than labor subtracters.

When steam-powered machinery entered the industrial world, things changed on a larger scale. One of the industries where jobs were particularly impacted by the automation of the late 1800s was the textile industry. Suddenly a single machine could replace hundreds that were needed to man looms to create fabric. The response from workers was predictably negative. Workers revolted, protested, sabotaged machines, and even burned down plants. Yet in the end, the jobs were lost as new methods replaced old. As time went on, new technology created more jobs than it eliminated, and the country prospered.

The end of World War II brought a new wave of innovation to the forefront in American business, and with it a national optimism for a new future that gave rise to the Baby Boom. However, a rising unease gripped the country by the mid-50s as automation found its way into offices and factories. The prevailing fear was that machines would be replacing people, and jobs would be lost. Ironically, in the decade after the War, the unemployment rate had steadily declined.

The auto industry, as it had done in the 1920s, brought a great deal of automation to their processes. Between 1951 and ’53, the Ford Motor Company constructed new automated stamping plants for engine parts in Buffalo, New York and Cleveland, Ohio, that the company hoped would relieve the stress of the strikes, outages and union negotiations experienced in the 1940s. Ultimately, it was discovered that people were still a necessary part of that equation at those plants — the loading and unloading of machines, and therefore the production pace of the machinery, needed to be managed by humans after all. It would be a couple of decades before robotic loading and packing could fully enter the process. While experiencing fits and starts with their automated processes, the auto industry had greater success in automating the dirtiest jobs, such as spot welding and spray painting.


Desk Set (1957) with Katharine Hepburn and Spencer Tracy. Isn’t it amazing that they got the automated function correct, but the computer now fits on a desk?

Fear of mass unemployment was growing as the 1950s became the ’60s and the country entered 10 months of recession. Lawmakers in Washington heard the buzz and wondered aloud what, if anything, they should do about it. President Kennedy addressed the public’s concerns in a speech he gave on May 25, 1961. The president proposed “… a new Manpower and Training Development program to train or retrain several hundred thousand workers particularly in those areas where we have seen chronic unemployment as a result of technological factors and new occupational skills over a four-year period, in order to replace those skills made obsolete by automation and industrial change with the new skills which the new processes demand.” Most people will not remember this part of Kennedy’s speech, because it is the same one in which he laid down the challenge to American science and business for “… landing a man on the moon and returning him safely to the Earth …” within the decade.

By 1964, concerns of automation causing unemployment had not been assuaged. This led President Lyndon Johnson to sign a law creating a National Commission on Technology, Automation, and Economic Progress. The Commission released its report in February of 1966.
In addressing the situation on behalf of the American worker, the Commission recommended several steps be taken. Among them:
• a program of public service employment to provide work for “hard-core unemployed” in useful community enterprises
• a guaranteed minimum income for every family
• removing obstacles to education, including universal high school education and up to 14 years of schooling guaranteed
• a national, computerized job-matching service to provide information to workers on where jobs were available
• relocation assistance for families

Boomers hit the job market in the swirl of this automation tempest, only to become the engineers of the automated future we are now facing. Some prognosticators are now forecasting that automation will affect nearly half of all workers in the next decade. Many jobs once held by boomers have long since been replaced by automation, with more sure to come. How many boomers were pinsetters in bowling alleys? switchboard operators? typesetters? keypunch operators? The list continues to grow.

Automation did not adversely affect Mister Boomer’s working life. He, like many boomers, became adaptable as computers entered various fields. In fact, he credits his embrace of the personal computer for his later-life work success. Now that he is anticipating retirement, Mister B looks back with nostalgia, but is very glad he doesn’t have to face a job market rife with the prospect of diminishing career opportunities.

How about you, boomers? Did automation play a role in your working life?

posted by Mister B in Technology and have Comment (1)

Boomers Collected Classic Monster Models

The 1950s and ’60s saw the heyday of model building in the U.S., and Mister Boomer was, like so many boomer boys, in the middle of it. Having got the model-building bug from his brother, Mister B built model kits for airplanes, ships and cars of all types. Yet the models he most treasured long after they were fully assembled and painted were his monster models collection.

Model kits have been around for generations, but before the war they were primarily composed of balsa wood, cloth, paper and metal. After the war, plastics fueled the model craze because they could be easily molded into any shape and were inexpensive to make. Consequently, several companies vied for boomer boys’ attention, each specializing in their own genre. The Aurora Plastics Company entered the market with plastic figurines in 1950. The company was interested in gaining a higher percentage of the burgeoning model market against stiff competition from the likes of industry giants Revell and others, and in 1956 they found a way; that year, Universal Pictures released its classic monster movies for television broadcasts. The company acquired the rights to make models of the classic monsters that had been scaring people on the silver screen for twenty years. Boomers were already feasting on a movie monster and sci-fi craze throughout the 1950s, so Aurora had an audience ready to buy what they were offering.

In 1961, the first Aurora monster model — the Frankenstein Monster — rolled off the production line and into the boomer zeitgeist. The model was an immediate success and sold as fast as Aurora could make them. In fact, the models sold so quickly that the company had to keep production going 24 hours a day. At its peak, Aurora was making 8,000 Frankenstein Monster kits a day, each sold for 98¢.

The prospect of a Frankenstein Monster kit for just under a dollar opened up the market for boomer boys, including Mister Boomer. After the commercial success of the Frankenstein Monster, Aurora developed an additional 12 kits known as the Aurora Monster 13:
1962: Dracula and The Wolf Man
1963: The Mummy, The Creature (from the Black Lagoon), and The Phantom of the Opera
1964: The Hunchback of Notre Dame, Dr. Jekyll as Mr. Hyde, King Kong, and Godzilla

The Salem Witch and The Bride of Frankenstein were also sold in 1964, followed in 1966 by The Forgotten Prisoner of Castel-Maré, to complete the monster set. Technically, the Forgotten Prisoner wasn’t a movie monster, but it represented a collaboration between Aurora and Famous Monsters of Filmland magazine.

Mister Boomer collected ten of the classic movie monster kits, including Frankenstein, Dracula, Mummy, The Creature, Wolf Man, The Phantom of the Opera, The Hunchback of Notre Dame, Dr. Jekyll as Mr. Hyde, King Kong, and Godzilla. Plus, he added Superman and the Chamber of Horrors Guillotine, both released in 1964. The affordable price meant he could buy them himself from his savings, but most often he asked for specific ones for Christmas. After all, he would need to buy glue and little bottles of Testor’s enamel paint to finish the projects.

Mister B spent hours assembling the pieces and painting them. He set up an entire wall shelf in his bedroom to house his collection, removing Superman from his base and suspending him in flight by a string. The guillotine was especially impressive since it actually chopped off the head of the condemned man. And painting the blood and guts of the prisoner mounted behind bars on the Phantom of the Opera base was satisfyingly creepy.

In the 1980s, Mister B paid a visit to his old homestead, only to discover, like so many boomer boys before him, that his mother had sold every model — monsters, cars, airplanes and ships — at a yard sale. Is it any wonder that many boomers are buying the kits again in their golden years? So far, Mister B has resisted.

Did you build these classic monster models, boomers?

posted by Mister B in Pop Culture History,Toys and have Comment (1)

Boomers Lose a Giant Voice of Their Cartoon Youth

Word came this week of the passing of June Foray, a true giant in the world of cartoon voices. She was 99 years old, but forever young in the hearts and minds of boomers everywhere. Boomers may not have recognized her face — or her name — but surely knew her many voices.

Born in 1917, Ms. Foray began doing voice work by age 12 for local radio dramas in Springfield, Massachusetts. From the 1920s through the ’50s she voiced characters on a multitude of radio shows, including The Jimmy Durante Show and Smile Time with Steve Allen. She recorded several children’s albums with Capitol Records, where she met Stan Freeburg, and went on to record several comedy albums with Freeburg before appearing on The Stan Freeburg Show on radio (1957-58).

Her “foray” into animation began when she was called by Walt Disney Studios to voice a cat character, and was hired to voice Lucifer the cat in Cinderella (1950). That’s when boomers started getting acquainted with her many voices. She continued to work for Disney in uncredited roles until 1952, when she voiced Hazel the witch for a Donald Duck Trick or Treat short. Witch Hazel then became a regular character on Looney Tunes, starting with a Bugs Bunny episode in 1956. She was the voice of Granny — the owner of Tweety bird — on Sylvester and Tweety cartoons from 1955 to 2013.

Her credits sound like a Who’s Who of top boomer cartoons, films and TV shows, including vocal performances in Tom and Jerry cartoons (1965), The Road Runner as various characters (1966), George of the Jungle (1967), The Pink Panther Show (1969) and hundreds more that boomers would recognize. In 1966 her voice was uncredited in the How the Grinch Stole Christmas! TV special. She even appeared in person on popular TV shows of the boomer era, including 12 O’Clock High (1965), It’s About Time (1966), and Green Acres (1967), and lent her voice to many more, including Bewitched (1966), Lost in Space (1967) and hundreds of other shows and animations up to 2014.

Yet for Mister Boomer, her work on the many iterations of The Rocky and Bullwinkle Show (1959-70) were what made him a big fan. Among those famous voices were Rocky (Rocket J. Squirrel), Rocky’s nemesis Natasha Fatale, and Nell in Dudley Do-Right. She also appeared as numerous characters in Fractured Fairy Tales, another reason all the Rocky and Bullwinkle cartoon shows are at the top of the list for Mister B. Witty dialogue and puns galore, delivered by classic cartoon voice artists like June Foray, Daws Butler, Hans Conried and a host of others, had Mister Boomer’s family tuning in to laugh every week. The show was second only to The Road Runner for Mister B’s father. His mother preferred June Foray’s Granny.

June Foray is credited with the idea for the Annie Awards to honor the year’s best animations. The first Annies were given out at a dinner in1972. She was the the strongest proponent of creating a category for animation at the Academy Awards, and after twenty years of lobbying, saw the first Oscars for animation awarded in 2001 (Shrek won that year). Mister Boomer expects a memorable send-off by the Academy for Ms. Foray next year.

It’s hard to imagine cartoons of the boomer era without some of the giants of the medium, and June Foray was among the very best. What memories do you have of June Foray characters, boomers?

posted by Mister B in Film & Movies,TV and have Comment (1)