Boomers Changed Their Perception of Aliens

As boomers began watching the science fiction movies of the 1950s, we were subjected to the prevailing perceptions of space aliens of the time. In the pre-space days — before the U.S. or the Soviet Union had launched a man into space — filmmakers were free to imagine what space, and space beings, would be like. What they imagined was mostly creatures very different from us, though with superior technology. The other thing that most of the sci-fi of the era had in common was that the aliens were not asking, “Take me to your leader.” They were bent on world domination. Consequently, aliens were categorized in the “fear of the unknown” column.

Movies such as Invaders from Mars (1953), Invasion of the Body Snatchers (1956) and 20 Million Miles to Earth (1957) played on those fears with creatures who wanted our minds and our bodies. In the end, Earth always prevailed, but the fear factor was a reminder that we must be ever-vigilant. In other words, aliens were often used as Cold War metaphors.

By the early 1960s, both the U.S. and the Soviet Union had launched men into space. While still a scary experience, our fear of the unknown was dispelled a little because what we also found out was just how empty space is. Perhaps the familiarity of space launches helped to modify our views of aliens, or maybe the spirit of the sixties found its way into the space alien zeitgeist. In any case, the 1960s brought about different ways to view our alien counterparts.

TV shows were getting into the sci-fi mix with a variety of shows that took the bite out of the 1950s aliens. One of these shows was My Favorite Martian (1963-’66). Bill Bixby played newspaper reporter Tim O’Hara and Ray Walston was the alien from Mars who was called Uncle Martin. Now instead of a growling, big green monster, we pictured our aliens a lot like us — only with a few added powers, including built-in antennae that could expand from the alien’s head. Despite the Martian’s super-human abilities, here we presented ourselves with a benign alien who only wanted to get home. Along the way, he was kind-hearted enough to help humans out. We were instilling human traits into our aliens.

Lost in Space (1965-’68) gave us a different view of aliens. This time we were the ones heading out into space. Nonetheless, the show demonstrated that very often humans were to be feared more than aliens. Dr. Zachary Smith (as played by Jonathan Harris) became the show’s antagonist, sabotaging the crew’s efforts at every turn.

Star Trek (1966-’69) was described as “Wagon Train in space,” but as far as the perception of aliens is concerned, it was much more than that. Star Trek presented aliens that were every bit as good — or evil — as humans. All the foibles of the human condition were on display, including the ability to evolve into more intelligent, peace-loving species.

When 2001: A Space Odyssey (1968) was released in movie theaters, we were still a year away from landing on the moon. Here, though, we showed ourselves yet another aspect of the aliens we were yet to meet. Though unseen, these aliens were vastly superior in intellect, and may very well have been guardians of our species, responsible for our very evolution.

By the time the mid-’70s rolled around, trips to space were a been there, done that occurrence. Maybe that’s why a Richie Cunningham dream sequence on Happy Days (1974-’84) was so easily parlayed into the Mork & Mindy (1978-’82) spin-off. Robin Williams played the role of the alien Mork while Pam Dawber was Mindy, the human who looked after him during his visit. Like many other TV shows and movies, Mork from Ork was sent to observe human behavior and was trying to get home. Now our aliens, though still possessing vastly superior technology, were presented not only as benign but laughably out of touch.

A year after Mork & Mindy hit TV screens, Alien (1979) opened in theaters across the country. We’d come full circle in our view of aliens. Once again the aliens were creatures very different from us, seemingly out to destroy all that we held dear. Indeed, Alien put the fear back in our view and gave us the nightmare that we might all have a little alien within us.

Flash forward to today, where when it comes to aliens, the sky’s the limit. We’ve imagined all sorts of creatures, human-like and not, good and bad, ugly and transcendent. Boomers may not have been the first generation to imagine what space aliens would be like, but we bore witness to the largest explosion of imagination that boldly set the bar for generations to come.

Who was your favorite alien, boomers?

Boomers Got Tangled Up in Blue (Jeans)

At this point in boomer history, it’s safe to say that the phrase, “as American as apple pie” can be replaced with, “as American as blue jeans.” Yet this wasn’t always the case. The universal popularity of jeans can in large part be attributed to our generation’s adoption of the garment.

Blue jeans have, in one form or another, been around for centuries. In particular, garments made with a durable cotton-based twill fabric have been traced to the French city of Nimes as far back as the 1600s. Before that time, “jean” or “jeane” was known in the city of Genoa, Italy. This Italian fabric was made from cotton, and very similar to corduroy. It is said that textile manufacturers in Nimes tried to duplicate the “jeane” fabric but were unsuccessful, finally arriving at what they called serge de Nimes, which was later shortened to denim when English shops imported the fabric. Denim fabric is characterized by a diagonal weaving process that combines two or more layers of thread. Since one layer was dyed with indigo and the other remained white, it gave denim its unique appearance as well as strength.

Denim made its way to the British colonies, but was almost exclusively used in overalls for farmers. By the era of the Industrial Revolution of the late 1800s, miners and factory workers adopted denim overalls for the fabric’s long-lasting reputation.

In the 1860s a man named Levi Strauss was motivated by the gold rush to move to San Francisco. A tailor named Jacob Davis made denim overalls for Strauss that he wore while mining. Legend has it that Davis, tired of having to resew the pockets of Strauss’ overalls, sought a way to reinforce them, thus saving both men the bother of repeatedly fixing the workwear. In 1871, Davis came up with a solution: he placed copper rivets at the corners of the pockets — the stress points — to make them less susceptible to tearing. When Davis saw that his solution worked well for Strauss, he thought other miners and workers might want a more durable garment as well. He decided to patent his invention, but lacked the funds to do so. He approached Strauss for an investment equal to the patent filing fee and the two became business partners in the company that became known as Levi Strauss & Co. A patent was issued and the two began manufacturing what was then known as waist overalls in 1873.

For the next 75 years, jeans were relegated to workwear, and in particular, work needing a high degree of manual labor, like farming, mining and factory work. It was not until after World War II that returning GIs began wearing jeans in the expanding suburban environment. It looked like jeans would continue their slow evolution into the everyday wardrobe of Americans … until 1955. That was the year that James Dean wore an iconic pair of jeans in the movie, Rebel Without A Cause. Filmed in bright Technicolor, Deans’ jeans were overdyed in order for the color to stand out on the movie screen. His jeans were an instant success with teens, who wanted the same jeans for themselves. However, because the jeans were especially altered for the movie, the “real thing” could never be purchased. Whether it was the movie’s message, Deans’ fashion sense, or the “bad-boy” image his character created, every boy wanted to be like James Dean, and every girl wanted to be with him.

For the first time jeans made their way into everyday fashion, with kids of both sexes rolling up the bottom of each leg to form cuffs, revealing the lighter under-thread like they saw in the movies. (Note: Though Brando wore his pant legs flipped up in The Wild One in 1953, but James Dean did not. His screen test for Rebel Without A Cause in 1955 showed him with folded-up cuffs, but he wore them uncuffed in the movie.) The adult generation who did not understand why kids would want to wear garments intended for workers called them dungarees. The word evolved from British colonial India where dungri referred to a cotton cloth often used for ship sails and later for work clothes. Nonetheless, due to the identification of jeans with bad boys and gangs through movies like Rebel Without A Cause and The Wild One, and rock ‘n roll music with the likes of Elvis Presley, jeans — or dungarees — were quickly banned by school districts in many states. Youth culture had begun to assert its fashion sense, but the Establishment was set on imposing its standards on the emerging generation.

By the mid-60s jeans began supplanting other pants as the teen garment of choice. In Mister Boomer’s opinion, it was the Summer of Love — 1967 — that cemented jeans as a permanent part of the boomer generation’s wardrobe. At that point jeans took on a personal sartorial message with hand drawings, embroidery patches and well-earned rips and tears. Jeans became the daily uniform and symbol that marked a generation interested in an egalitarian utopia.

Young entrepreneurs wanting to outfit the Counter Revolution made and sold jeans in a variety of styles that appealed directly to the younger generation — including bell bottoms. The Gap — its name echoing the enlarging rift between generations — opened its doors in 1969, originally marketing only denim and leather items.

Mister Boomer began wearing jeans in the mid-1960s. Naturally, his parents picked out his clothing as a pre-teen, but his opinion was considered. As a result, he didn’t own an actual pair of “blue” jeans until his high school years. Instead those early days were dominated by green jeans (possibly influenced by Captain Kangaroo?) and a pair of deep, dark red jeans that became one of the favorite garments of his entire life. He wore them every summer evening for the year or two he could still fit in them, and was sad to see them go to the giveaway bag. He has never been able to find that color since.

By the 1970s, jeans were a fashion staple for every boomer. Manufacturers marketed all types of “exclusive” jean styles in the hopes of creating a brand that would become synonymous with “cool” fashion. Boomers complied, making fashion stars out of not only the traditional brands of Levi’s, Wrangler and Lee, but also of Jordache, Chic and Sergio Valente, to name a few.

Today you would be hard-pressed to find a man, woman or child between the ages of eight and 80 who doesn’t own at least one pair of jeans. If it weren’t for the Boomer Generation’s wholehearted adoption and elevation of what was a workwear garment for centuries, jeans would still be sold only in the work clothes department.

What role did jeans play in your history, boomers?