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A Boomer Looks Back at Movies from 1967

Fifty years ago — 1967 — was an amazing year for movies. Mister Boomer’s father and mother relished taking the family to movies, both in theaters and drive-ins. There were three theaters and three drive-ins within a 15-minute drive near Mister Boomer’s home, so there was always a choice of movies from which his parents could choose. Movies were pretty economical for a family, too; the drive-in was around a dollar per car at that time. What increased the cost was the snacks. Mister Boomer’s father was a big movie snacker. He would not see a movie without popcorn and some chocolate, usually non pareils, Mounds bars or Almond Joys, or Raisinettes in a pinch. His mother was all about Dots, Chuckles and Good & Plenty. Mister B never liked snacking in the movies as he found the wrapper noise annoying and did not wish to inflict that on others. As soon as Mister Boomer’s brother was old enough to care for his younger siblings (around age 10), the kids walked to the nearest theater on their own to see Saturday matinees, too.

Family movie time was broken into two branches: times when the entire family would pile into the car and go to a theater, and the times when Mister Boomer’s father took the kids to the drive-in to let Mister B’s mother host her ladies’ bunco card club. The kind of movie the family saw definitely depended on whether Mister B’s mom was in attendance. While his father enjoyed drama, thrillers, crime and mysteries — not to mention any and all James Bond — his mother liked the lighter fare, but would see anything if it starred some of her favorite actors. She was especially fond of anything Peter Sellers or Walter Matthau did.

Here are a few of the 1967 movies Mister Boomer recalls seeing at the movies in his youth:

Comedy/Drama
Casino Royale, with David Niven, Peter Sellers, Ursula Andress and Orson Welles, was unlike other James Bond movies in that it was an outright comedy. Maybe if it had Sean Connery as 007 it would have been funnier. Mister Boomer saw this one with his siblings when they were dropped off at a nearby theater.

The Graduate was a major movie of 1967, having been nominated for a host of Academy Awards. It won Best Director for Mike Nichols. Starring Dustin Hoffman, Anne Bancroft, Katharine Ross, and William Daniels, it was probably too adult for Mister B and his siblings when his father took them to the drive-in to see it. Mister B didn’t appreciate the film until years later when he saw it on TV.

The Producers starred Zero Mostel and Gene Wilder. Mister Boomer and his mother enjoyed Mostel and Wilder movies. This one is still on Mister Boomers’ list of top films of all time.

In Like Flint was a campy spy spoof movie starring James Coburn and Lee J. Cobb. There were two Flint movies, the first appearing the year before, and Mister B laughed through both. He especially like that Coburn’s character Derek Flint could talk to dolphins. There will always be a place in Mister B’s heart for campy movies.

A Guide for the Married Man with Walter Matthau and Inger Stevens had classic Matthau written all over it, so it was one the whole family saw in a theater. Mister Boomer recalls watching it with his mother on TV many times years later. She smiled at Matthau’s antics every time.

Thrillers/Mystery/Crime
You Only Live Twice starred Sean Connery and Akiko Wakabayashi. If by some chance Mister Boomer and Brother Boomer’s father didn’t take the boys, they wouldn’t miss a James Bond movie. That is what happened with this one — they went on their own. Too bad the movie was only so-so.

Bonnie and Clyde with Warren Beatty and Faye Dunaway is another of those classic films from 1967. However, Mister Boomer didn’t think much of it when he saw it as a teenager at the drive-in, or even after a second viewing on TV years later.

Cool Hand Luke starred Paul Newman and George Kennedy. It was another drive-in movie classic for Mister B. He liked the characters right away — especially George Kennedy’s — and has seen it numerous times since. It’s right up there on his best of all time list.

In the Heat of the Night with Sidney Poitier and Rod Steiger was another drive-in movie for Mister B, his father and siblings. It was yet another one that Mister B appreciated years later when he saw it on TV, just not at the time.

Wait Until Dark starred Audrey Hepburn and Alan Arkin. Mister Boomer’s mother picked this one and the family went to a theater to check it out. Hepburn’s blind character made this film memorable.

War Films
The Dirty Dozen with Lee Marvin, Ernest Borgnine, Charles Bronson, John Cassavetes was a romp of a World War II movie. It was as fun as a war movie can be, worth seeing at the drive-in, and again years later on TV.

Tobruk starred Rock Hudson, George Peppard, Nigel Green and Guy Stockwell. Standard fare, almost a B-movie as far as a young Mister Boomer could tell. He saw it at the drive-in, of course, when his father took him and his siblings.

There were dozens of other now-classic movies released in 1967 that Mister Boomer did not see at the movies. However, he saw most of them on TV in the years that followed. Just look at this list of 1967 movies:

Camelot: Richard Harris, Vanessa Redgrave, Franco Nero, David Hemmings
Guess Who’s Coming to Dinner: Spencer Tracy, Sidney Poitier, Katharine Hepburn, Katharine Houghton
El Dorado: John Wayne, Robert Mitchum, James Caan
In Cold Blood: Robert Blake, Scott Wilson, John Forsythe, Paul Stewart
Bedazzled: Peter Cook, Dudley Moore, Eleanor Bron, Raquel Welch
To Sir, With Love: Sidney Poitier, Judy Geeson, Christian Roberts, Suzy Kendall
Doctor Dolittle: Rex Harrison, Samantha Eggar, Anthony Newley, Richard Attenborough
Barefoot In the Park: Robert Redford, Jane Fonda, Charles Boyer, Mildred Natwick
Thoroughly Modern Millie: Julie Andrews, James Fox, Mary Tyler Moore, Carol Channing
I Am Curious Yellow: Lena Nyman, Vilgot Sjöman, Börje Ahlstedt, Peter Lindgren
Valley of the Dolls: Barbara Parkins, Patty Duke, Paul Burke, Sharon Tate
Far From the Madding Crowd: Julie Christie, Peter Finch, Alan Bates, Terence Stamp
The Taming of the Shrew: Elizabeth Taylor, Richard Burton, Cyril Cusack, Michael Hordern
The Born Losers: Tom Laughlin, Elizabeth James, Jeremy Slate, William Wellman Jr.
Easy Come, Easy Go: Elvis Presley, Dodie Marshall
How I Won the War: Richard Lester film with Michael Crawford and John Lennon
How to Succeed in Business Without Really Trying: Robert Morse, Michele Lee, Rudy Vallee

… and lots of other movies, including Don Knotts releases and Godzilla movies that most boomers will recall seeing on TV if not at the movies.

Mister Boomer still prefers seeing a movie in a theater as opposed to on TV– and don’t even think about him viewing one on a tablet or phone. He is one boomer who likes his movies the old-fashioned way. Now, when are we going to get a year with such stellar stories and performances like we did in 1967?

What were your favorite movies from 1967, boomers?

 

posted by Mister B in Film & Movies and have Comment (1)

Boomers Both Feared and Laughed at Russia

Spying and hacking and meddling … oh my! Russia is in the news again, but that is nothing new to boomers. We lived with practically daily news about the country and people we were told were our biggest adversaries.

There are famous stories of General George Patton advocating war with Russia at the end of World War II. His rationale was that it was inevitable that we would face the country some day, and at that point we had troops and equipment available in the area already. Fortunately cooler heads prevailed, but just four years after the end of the war, the first salvo of the Cold War was hurled when the Soviet Union tested their first nuclear bomb.

We tended to use the terms “Russia” and “Soviet Union” interchangeably, though there was a difference. Russia was and is a country in and of itself, but the U.S.S.R. (Union of Soviet Socialist Republics) was a collection of Country/States that comprised the Soviet Union, until its dissolution in 1991. The U.S.S.R. was under the control of the Communist Party, headquartered in Moscow, Russia.

Once the Soviets became the second state to possess nuclear capability, fear spread across the U.S. Boomers recall the Duck and Cover government educational film (1951) and the craze of people building home fallout shelters (See: Signs of the Times: Fallout Shelter Signs Were A Common Sight for Boomers). In the beginning we were told we’d survive a nuclear attack if we were at school, simply by sliding under our school desks. At home, we could survive indefinitely inside shelters that were either pre-made and installed, or custom made by the homeowner. These shelters were stocked with water, canned goods and everything a family might need to remain locked away underground until nuclear fallout clouds might dissipate. Information at the time thought that might not take more than a month — at least that is what the government was saying aloud.

Soon after the Soviets’ first nuclear test, the country was gripped by McCarthyism, named after Senator Joseph McCarthy (R-Wisconsin) and the congressional hearings he chaired on the possible infiltration of Communists into the U.S. (1950-54). His first inquiries concerned the loyalty of government employees, then he targeted the film and TV industry.
The same year McCarthy began his “Red Scare,” the U.S. entered the Korean conflict, ostensibly to stop the spread of Communism.

Soviet Premier Nikita Khrushchev said in a speech in 1956 that he felt the Communist system would outlast the western Capitalism system by saying, “We will bury you.” He repeated the phrase at the United Nations in 1960, pounding his fists and ultimately, his shoe, on his desk. The line elicited front page news for the American press. The Cuban Missile Crisis in 1962 added more fuel to the fire of nuclear fear (See: Boomer History: The Cuban Missile Crisis).

Meanwhile, the film and TV industry was busy doing what people always do to their adversaries — demonize and make fun of them. Some of the most popular movies and TV shows referenced the Soviet Union in an adversarial role. Most, however, may have made allusions to Russian spies and meddling, but the foes were more often super villains from international crime syndicates as opposed to state operators. Here are a few of Mister B’s Cold War favorites:

James Bond — The first James Bond film was released in 1962. The books, authored by Ian Fleming, did plot U.S. and Soviet spies against each other on occasion, but the movies seldom did. In From Russia with Love (1963), James Bond “must” seduce a beautiful Russian agent in order to acquire a decoder device. In You Only Live Twice (1967) super-villain Blofeld is capturing Soviet and American satellites in an effort to start a war between the two countries. In The Spy Who Loved Me (1977), British and Russian submarines are being hijacked, so the two countries’ governments combine forces to investigate. Heading into the 1980s and ’90s, the Soviets and British (and by proxy, Americans) appear in an adversarial role in several Bond films, but that is out of the range of the prime boomer years, so Mister B will leave that for your own research.

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) – This movie set up a “what if” scenario of a rogue American general intent on starting a war between our two countries. In the movie, the U.S. President reaches out to the Soviet Ambassador to try to explain the situation and brings him into the top-secret War Room in the process. There, the Ambassador, skeptical of U.S. motives, is busy taking pictures of his surroundings. The satire showed the absurdity of our mutual distrust in the face of total annihilation.

Fail-Safe (1964) – Like Dr. Strangelove before it, this film creates a scenario where a nuclear exchange between the two countries is frighteningly close at hand. In this film, though, American bombers are accidentally sent to destroy Moscow due to electrical and computer malfunctions. The U.S. asks the Soviet Union for help in averting a worldwide crisis. Unlike Dr. Strangelove, this was serious drama. Mister Boomer had read the book in school before the movie was made.

The Russians Are Coming! The Russians Are Coming! (1966) – When a Soviet submarine accidentally runs aground off the coast of a small New England town, members of the crew realize they have no choice but to go ashore and seek help to free their vessel. Reflecting the paranoia of the day, townspeople mistake the small boat as a Russian invasion force. Merriment ensues.

Boris Badenov and Natasha Fatale – Cartoon characters on Rocky and His Friends and The Bullwinkle Show (1959-64), these spies and dastardly do-no-gooders were actually from Pottsylvania, despite their obvious Russian names. Their superior was known as Fearless Leader. Boris’s name is a play on the name of Boris Godunov, a 19th century Russian tsar who instituted a spy system to protect his power from internal and external enemies. Boris Badenov proclaimed himself the “world’s greatest nogoodnik,” another reference to the Russian language.

Much taller than Boris, Natasha Fatale was his partner and evidently the brains of the operation. She appeared to hold some affection for Boris and often saved him from his own misdoings. Like Boris, she spoke in a broken English reminiscent of a Slavic-Russian accent.

Spy TV Shows — A series of TV shows cropped up in the early ’60s that used the Cold War as backdrop, but again, seldom mentioned Russia and the Soviet Union by name — although there were instances where the two countries worked together to thwart a common enemy. Among them were The Man from U.N.C.L.E. (1964-68),  I Spy (1965-68), The Avengers (1966-69), Mission: Impossible (1966-73), The Prisoner (1967-68), and Get Smart (1965-70). All of them used at least some humor in their scripts.

What memorable laugh or fear-stricken book, film or TV show about the Russians do you remember, Boomers? (For further Mister B insight, see: Laughing Through the Cold War)

posted by Mister B in Film & Movies,Pop Culture History,TV and have Comment (1)

Some of Mister Boomer’s Favorites of 2016

It’s the New Year, traditionally a time to look back in reflection and ahead with hope. In that spirit, please enjoy some of Mister B’s hand-picked favorites from 2016.

Boomers and Torn Jeans: The Evolution from Time-to-Replace to High Fashion
Our mothers fretted over our torn “dungarees” only to find a decade later that torn jeans were part of the fashion scene.

Boomers Twisted the Night Away
Mister Boomer explored the origin of the Twist.

Boomers Loved Gene Pitney Songs
Early to mid-boomers probably count Gene Pitney among their favorite singers of the ’60s.

Boomers Heard the Quotes of Their History
We were there, man!

Boomers Benefited from Space Products
Are you aware of space technology in your everyday lives?

Boomers Will Recall 1966
Fifty years ago from the year that just passed, the times they were a’-changin’.

Boomer Comparison: Drug Stores Then and Now
The local pharmacy sure has changed since we were boomer kids. Here is a comparison.

Boomers and Bikinis Just Went Together
The role of the bikini in boomer-era movies is iconic and undeniably modern for the time.

Boomers Have Lived Through Many Eves of Destruction
The song reverberates even today.

Boomers Gladly Went Where No One Had Gone Before
2016 marked the fiftieth anniversary of the original Star Trek on TV.

Boomers’ Diets Have Changed Over 50 Years
Boomers watched the era of convenience foods enter the picture, and the American diet.

Boomers Saw Their Lives in “The Flintstones”
The technology employed in The Flintstones mimicked the space-age devices that were common in boomer households. The major difference was instead of electrically-powered devices, the action of the devices was powered by animals.

Here’s to another great year, and hoping your 2017 is boomer-ific!

posted by Mister B in Fashion,Film & Movies,Food & Beverage,Fun,Getting Older,Music,Pop Culture History,Space,TV,Uncategorized and have Comments Off on Some of Mister Boomer’s Favorites of 2016

Boomer Movie History in the Making — 1966

We all live through historic moments every day, yet it can be difficult to make that realization at the time. We boomers have lived through so many historic events that it’s difficult for us to NOT see our connection to the history as it was being made. For example, there is probably not a person who was living on the planet at the time who does not remember where they were when the Big Bopper’s plane went down; John Kennedy, Martin Luther King, Jr. and Bobby Kennedy were shot; or when Neil Armstrong first set foot on the moon.

So it came as a bit of a surprise to Mister Boomer that he was not all that aware of the historical and cultural significance the motion picture industry was making during the 1960s, and especially fifty years ago, in 1966.

The industry has always been subjected to the same laws as any other person or industry, but in addition, has self-regulated in terms of moral values. The Motion Picture Code of 1930 (Hays Code) was put together and adopted by The Association of Motion Picture Producers, Inc. and The Motion Picture Producers and Distributors of America, Inc. It detailed what would be deemed acceptable in movies from signing members. It strived to assure movies would not “lower the moral standards of those who see it,” nor would their films ridicule the law, justify revenge (in modern times) or glorify brutality, among other things. Films were already subject to the decency laws of the time.

These standards were in effect until 1966, when they were revised. Instead of explicitly banning certain types of actions, the new code suggested restraint. The pursuit of virtue and rejection of sin was still encouraged. It eliminated the outright prohibition of kissing that could be deemed “lustful,” and ultimately recommended a label of “suggested for mature audiences” be attached to certain films to let parents know a film may not be proper for their children — or for themselves, for that matter.

The first 1966 film tagged with the Mature Audiences label was Georgy Girl, only a month after the new revisions were adopted. Nowadays the film would probably be labelled a PG-13, but at the time the adult story line was considered bold and raised more than a few eyebrows. The plot tells of a young woman living with a promiscuous — and pregnant — friend. Georgy is a bit of a regular type, and doesn’t get much male attention until a friend of her father’s — a much older man than she — offers to set her up in an apartment in exchange for becoming his mistress. At the same time, the young man responsible for impregnating her roommate marries the girl and moves into their apartment. Soon he shows an interest in Georgy, too, since she is more interested in the soon-to-arrive baby than her roommate. Georgy is left with all sorts of moral reckoning. The title song of the film is probably recognizable to most boomers. The movie was nominated for four Academy Awards, and Lynn Redgrave won the Oscar for Best Actress in a Comedy or Musical. The song Georgy Girl was nominated for an Oscar, but lost to Born Free. It was released as a single by The Seekers in 1967.

Another groundbreaking film of 1966 was Michelangelo Antonioni’s Blow Up. Industry standard bearers demanded the director make cuts, but Antonioni refused. The film was released by MGM but did not have the industry seal of approval. Consequently, it was the first American film to display full-frontal female nudity.

That same year, Whose Afraid of Virginia Woolf? was the first American film release to contain profane expletives and frank sexual content. Meanwhile, Gulf & Western purchased Paramount Studios, making it the first of many multi-national conglomerates to take over a Hollywood studio.

When Otto Preminger’s Anatomy of a Murder (1959) was purchased for distribution on television in 1966, Preminger sought an injunction against Columbia Pictures Corporation and Screen Gems, Inc. to prevent them from editing the film to inject commercial air time. The court ruled that the producer had the rights to final cut and editing for theatrical releases only, and had therefore no say in the editing of a television airing.

Mister Boomer was an early teen, but nonetheless saw some of these films. His father took the kids to the drive-in movies at least once a month, when his mother had her club meetings. He completely recalls seeing Georgy Girl, but admits that at the time had no idea what was going on.

He went on to see many memorable films of 1966, both in theaters and at the drive-in. Among them:

The Silencers, the first Dean Martin James Bond spy spoof. Mister B went on to see all three of the Matt Helm films with Brother Boomer.

Batman: the Movie, where Adam West took the zaniness of the TV show to the movies. How could a boomer who loved the TV show not see this one?

Fantastic Voyage and One Million Years B.C., where Rachel Welch left an indelible mark on young Mister B’s life.

A Funny Thing Happened on the Way to the Forum, which was directed by the same Richard Lester who had earlier done A Hard Day’s Night. It made Mister B a lifelong fan of Zero Mostel and Jack Gifford.

The Good, the Bad and the Ugly with Eli Wallach immediately became among Mister B’s favorite westerns of all time, and still is.

The Sand Pebbles and Nevada Smith, both starring Steve McQueen, became instant classics in Mister B’s mind. He still recalls scenes and dialogue from those movies he saw at the local drive-in.

There were many more memorable films of 1966, including:

Born Free
Alfie
A Man for All Seasons
Fahrenheit 451
Torn Curtain
The Russians Are Coming! The Russians Are Coming!
What’s Up Tiger Lily?
The Fortune Cookie
The Glass Bottom Boat
Is Paris Burning?
Our Man Flint
Modesty Blaise

… among others

Imagine what movies might be like today were it not for these pioneering films of fifty years ago. What are your favorite movies of 1966, boomers?

posted by Mister B in Film & Movies and have Comments Off on Boomer Movie History in the Making — 1966

Boomers and Bikinis Just Went Together

July 5th marks the 70th anniversary of the introduction of the modern bikini. Though mosaics and wall paintings reveal that women wore two-piece costumes in Roman times around 300 A.D., and as far back as 1600 B.C. in Minoa, it is Louis Reard who is considered the father of the modern bikini.

The French engineer introduced his “bikini” on July 5, 1946. He named it after the atomic test of the Bikini atoll in the Marshall Islands because he expected it would generate a burst of excitement equal to the atomic test. Little did he know bikinis would play a starring role in many movies of the Boomer Generation. Many are part of the classic moments of film from the era. Here are just a few:

Brigitte Bardo: The Girl in the Bikini (1952); And God Created Woman (1956); et al
When the bikini was introduced in 1946, it did not receive a warm welcome in the fashion world, especially in the United States. Some say it was the image of Brigitte Bardo wearing bikinis in various movies through the 1950s and ’60s that changed a few minds. Although the actress took on many types of roles that showcased her acting range, she was the Sports Illustrated swimsuit model before there were SI swimsuit issues. Many boomer boys spied their first bikini as worn by Brigitte Bardo in movie magazines borrowed from their fathers’ collections.

Ursula Andress: Dr. No (1962)
When James Bond (Sean Connery) sees Ursula Andress rise from the ocean in a white bikini with a diving knife strapped to her hip, even he had to pause. The scene became so iconic that it has been repeated and parodied ever since, including Halle Berry’s reinterpretation of the scene, rising out of the ocean in an orange bikini in Die Another Day (2002).

Annette Funicello: Beach Party (1963); Bikini Beach (1964); How to Stuff a Wild Bikini (1965); et al
Beach movies hit the boomer scene from 1963 to 1968. Annette Funicello and Frankie Avalon, previously of Mouseketeer fame, were recruited to play a teenage version of the Doris Day/Rock Hudson movies … on the beach. Annette Funicello’s bikini was a two piece in name only. It was stipulated by contract with Walt Disney that she not be allowed to show her belly button, so some would say her swimwear in the movies was downright matronly. The fun thing for boomers, though, was there were no such stipulations on the other girls on the beach.

Raquel Welch: One Million Years B.C. (1967)
Technically, beauty queen Raquel Welch isn’t wearing swimwear in this movie. Rather, it was a furry animal skin two-piece that became so iconic that the still publicity shot for the movie became a best-selling poster. Mister Boomer has to admit, he was among the boys who taped the poster to his wall. The role was originally offered to Ursula Andress, but by then her salary requirements were too much for the producers.

Jane Fonda: Barbarella (1968)
Directed by  Roger Vadim, Jane Fonda’s husband at the time, Barbarella was a campy movie trip to outer space fantasyland via hallucinogenic imagery, so naturally, bikinis would would have to play a part. Mister Boomer first heard about the movie when a neighbor returning from his stint in Vietnam talked about it. It was years later when Mister B first saw the film, but Brother Boomer saw it much sooner.

Shocking to many in its day, the bikini now is commonplace poolside and on beaches around the world. It has even been named the official athletic wear for women’s professional beach volleyball. Monsieur Reard used a grand total of 30 square inches of fabric for his original creation, while today’s versions run the gamut from modernly modest to barely there. Many movies featured memorable bikini-clad women throughout the boomer years. What is your favorite bikini movie moment, boomers?

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Qapla’! Boomers Were the First to See Klingons, Not Speak the Language

Klingons, aliens from the planet of the same name, appeared in the first season of the original Star Trek TV series in 1968. However, Klingon characters spoke only English in the TV series. Klingon, the language spoken by these aliens in the Star Trek universe (first referred to as Klingonese in the TV series), made its debut in Star Trek: The Motion Picture (1979). In the movie, the actors improvised and wrote their own guttural sounds that were later “translated” into subtitles to let the movie audience in on the conversation.

In the third Star Trek movie (Star Trek: The Search for Spock, 1984), Paramount Pictures decided to make the language more formal, to add realism to the dialogue. The producers enlisted the services of Dr. Marc Okrand, a professional linguist, to create speech that sounded more like a real language. Okrand had assisted Paramount in the second Star Trek movie by coming up with a few lines lines of Vulcan dialogue for a scene between Captain Spock (Leonard Nimoy) and Saavik (Robin Curtis). The good doctor honed the sounds of Klingon to match mispronunciations by the actors, and in 1985, published The Klingon Dictionary. A second edition of The Klingon Dictionary was published in 1992. Okrand has remained active in updating grammar for fan groups that have adapted the language into Internet conversations. Aficionados of the language have gone so far as to translate classic literature into Klingon, including Hamlet, The Epic of Gilgamesh and a Klingon adaptation of A Christmas Carol. There have even been live performances of Hamlet in Klingon.

Now we see a lawsuit is making its way through the courts that may decide if Klingon can be classified as an official language — and as such cannot be copyrighted — or remains the intellectual property of Paramount Pictures. Paramount sued Axner Productions, Inc. in December of 2015 for “innumerable copyright violations” when the company produced a crowd-funded, unauthorized Star Trek-like movie. The suit was amended in March 2016 to specifically name people, places, planets, props and other copyrighted items, including the Klingon language. Axner’s attorneys have claimed that the language has taken on a life of its own, separate from the movies, and is therefore available for use by anyone.

Sure to appear in the upcoming court battles on the usefulness of the language in the real world is the fact that in May 2003, a hospital providing mental health services in Portland, Oregon, advertised for an interpreter fluent in Klingon. A hospital spokesperson remarked that the county had an obligation to provide services in all the languages spoken by the population they serve.

Also sure to appear is the fact that true users of the Klingon language rely on Marc Okrand to answer all questions of grammar and usage, and will only accept changes to the language by its creator. This is in direct conflict to the formation of real-world languages, which are constantly being shaped by its users over time.

At stake are the potential uses of other fictionally-created languages, including those of the Harry Potter series, Avatar and TV’s Game of Thrones.

Mister Boomer has been a Star Trek fan since the original series aired. He has enjoyed watching the evolution of Klingons from the TV series through the Paramount movies. Though Mister B has never spoken Klingon, he believes this ongoing court struggle is shaping up to be a battle worthy of a Klingon warrior.

How many words of Klingon do you speak, boomers?

posted by Mister B in Film & Movies,Pop Culture History,TV and have Comments Off on Qapla’! Boomers Were the First to See Klingons, Not Speak the Language