“Baby” Songs Were Boomer Songs

Mister Boomer hates “pet” names. He always has. It hardly seems possibly to walk around a home improvement store these days without hearing the strains of “honey,” “snookums,” or “muffin” emanating from one or the other significants in a couple. One of the worst of these so-called terms of endearment is, “baby” (or the less formal, “babe”). This one always baffled Mister B, as he thought those little bundles of joy and poo had cornered the market on the label. Who wants to be called that? Anecdotally, Mister B has noticed a decline in the use of this term, but measured by the number of songs that featured it in the 1960s, that decade had to mark the peak of its usage.

Even though Mister B isn’t the type to use such pronoun substitutes, he does, however, still enjoy many of the “baby” songs of the 1960s. There are dozens that feature “baby” in the title and/or prominently in the lyrics. Most appear to be either pleas for forgiveness, pity or permission, while others are pledges of undying loyalty. Something they all have in common is a memorable melody and many have legendary musical openings. Also, they have all been covered by multiple artists through the boomer years and beyond. Here are Mister B’s Top 10 favorites of the genre:

10. Baby, Now That I’ve Found You: The Foundations (1967)

Baby, now that I found you I can’t let you go
I build my world around you, I need you so
Baby even though, you don’t need me

“Baby” is heard 10 times in this song. A catchy tune, it has staying power. Donny & Marie Osmond covered it in 1977.

9. Cry Like a Baby: The Box Tops (1968)

When I think about the good love you gave me
I cry like a baby
Living without you is driving me crazy
I cry like a baby

Despite the crying baby references, Mister B took notice of the use of the electric sitar in the the song. Cher covered it in 1969, and Petula Clark released her version in 1971.

8. Can’t You Hear My Heartbeat: Herman’s Hermits (1965)

Every time I see you looking my way
Baby, baby, can’t you hear my heartbeat?
In the car, or walking down the highway
Baby, baby, can’t you hear my heartbeat?

This song topped out at #2 on the charts, blocked from the top spot by Stop! In the Name of Love by The Supremes. Marianne Faithfull released her version that same year.

7. Baby, I’m Yours: Barbara Lewis (1965)

Baby, I’m yours
And I’ll be yours, until the stars fall from the sky
Yours, until the rivers all run dry
In other words, until I die

Nice melody, but talk about being a little obsessed! You may want to cool it a little, Barbara, or he may bolt for the door. Cass Elliot recorded the song in 1972.

6. Baby, Please Don’t Go: Them (1964)

Now baby, please don’t go
Now baby, please don’t go
Please don’t go back to New Orleans
You know I love you so
Baby, please don’t go

This song is an old blues number from 1925, illustrating that the term was used for decades before Them put their bluesy-rock stamp on it (with a 19-year old Van Morrison belting out the vocals). Big Joe Williams recorded it in 1935, John Lee Hooker in 1949 and Muddy Waters in 1953.
Oddly enough, this song was the B-side to another hit from Them, Gloria.

5. I Got the Feelin’: James Brown (1968)

I got the feelin’
Baby, baby I got the feelin’
Baby, baby, baby
Baby, baby, baby
Baby, baby, baby
Baby, baby

This woman is treating James badly, but he can’t fight the feeling. How can she refuse his string of “baby” pleas, oozing urgency and lust? Boomers couldn’t, taking the song to #1 on the R&B charts, and #6 on the pop charts.

4. Don’t Worry Baby: The Beach Boys (1964)

Don’t worry, baby
Don’t worry, baby
Everything will turn out alright

Brian Wilson has said the song was the male answer to The Ronettes, Be My Baby, but Mister B is getting ahead of himself. Read on.

3. Baby, I Need Your Lovin’: The Four Tops (1964)

Baby, I need your lovin’
Got to have all your lovin’

A true classic boomer song, it did not crack the Top 10 list, topping out at #11. Johnny Rivers had better luck with it in 1967; his version hit #3 on the charts.

2. Be My Baby: The Ronettes (1963)

So won’t you
Be my, be my baby
My one and only baby
Say you’ll be my darlin’
Be my baby now
Waa-oh-oh-oh

Certainly the quintessential song of the genre, here is the female voice asking the question.

1. Ooh, Baby, Baby: Smokey Robinson & The Miracles (1965)

I did you wrong, my heart went out to play
But in the game, I lost you
What a price to pay, I’m crying
Ooh, baby, baby
Ooh, baby, baby

Was there ever any doubt that Smokey’s song would be number one for Mister Boomer? It is the most covered song The Miracles ever recorded. Versions include those by Ella Fitzgerald (1969), Todd Rundgren (1973) and the one that is almost as famous as Smokey’s original, Linda Ronstadt (1978).

When it came to “baby” songs in the 1960s, the hits just kept on coming. Did Mister B miss one of your favorites, boomers?

Boomers Say Good-Bye to Two More Influencers

This week two icons of the boomer era passed away: Doris Day and Peggy Lipton. Both of these women recorded albums and both of them were actresses, but the two could hardly be more different. The contrast between them happens to illustrate the evolution of the Boomer Generation from the 1950s into the 1960s.

Doris Day
Though she started singing at an early age, Mary Ann Von Kappelhoff wanted to be a dancer. Her training would come in handy years later, on the silver screen. Nonetheless, she began singing at 15, which lead to her first record contract in 1947. Singing with several Big Bands, Doris Day became popular with servicemen during WWII and later, Korea.

She had a bona fide hit with Sentimental Journey in 1945, recording with Les Brown and His Band Of Renown. The song became a symbol for servicemen returning home. Her first foray into acting came in 1948 in the film, Embraceable You.

In the early 1950s, she starred in a series of musicals, in which she acquired the wholesome image of the girl next door. She attempted to jettison her image by accepting grittier, dramatic roles, including starring opposite Jimmy Stewart in Alfred Hitchcock’s The Man Who Knew Too Much in 1956. Her last film was With Six You Get Eggroll (1968).

While her acting career took off, she never stopped singing and recording. One of her biggest hits, Que Sera Sera, released in 1956, was used in the movie Please Don’t Eat the Daisies (1960) and The Glass Bottom Boat (1966). In 1968, it became her theme song for The Doris Day Show (1968-73) on TV.

Her real life was anything but the perfect world of the wholesome girl she portrayed on screen. She married four times, and in her autobiography stated that there was never any intention of projecting any image at all, by either herself or her publicist.

Peggy Lipton
While Doris Day began her singing career at age 15, Peggy Lipton started modeling at the same age. Her first acting job came at age 19, and she soon appeared on a variety of TV shows, including The John Forsythe Show (1965), Bewitched (1965) and The Virginian (1966).

Most boomers, however, will remember Peggy Lipton for the TV show that catapulted her to popular fame: The Mod Squad (1968-73), in which three young, groovy outsiders became undercover agents for the police. Ironically airing the same years as The Doris Day Show, Mod Squad, was one of the earliest shows to have a multiracial cast (tagline, “One white, one black, one blonde”) and one of the first TV shows to depict the counterculture that was growing among boomers. As a result, she became a fashion icon with her flower child image: long, straight blonde hair and bell bottom pants. Capitalizing on her TV fame, she released her first album of mostly covers in 1968, from which she had a hit single with Donovan’s Wear Your Love Like Heaven. She released a second album in 1970.

Ms. Lipton married music producer-legend Quincy Jones in 1974 and they divorced in 1990.

In later years, boomers saw her in a variety of movies and TV appearances. Most notably, she came back as a regular character in David Lynch’s Twin Peaks (1989-91). In Angie Tribeca (2017), she played the role of the mother to the show’s title star, her real-life daughter with Quincy Jones, Rashida Jones.

As far as Mister Boomer was concerned, Doris Day was more for his parents’ generation. Granted, she was a terrific singer and actress of that time, but Mister B much preferred Peggy Lipton in The Mod Squad. Mister B did not hear any of Peggy Lipton’s records in his earlier years. She was definitely better on screen than on record.

What memories do you have about Doris Day and Peggy Lipton, boomers?