Boomers Knew Jimi

On September 18, 1970, Jimi Hendrix died in London of what was disputed to be an accidental overdose of sleeping pills mixed with amphetamines, alcohol and cannabis. That’s right, boomers, it’s been FIFTY YEARS since Jimi left us.

We all know the basics of Jimi’s meteoric rise to stardom in the rock world. We know the route he took — through London’s music scene — before he gained immense popularity in the U.S. after Paul McCartney recommended Jimi to the Monterey International Pop Festival promoters. We know he pioneered what his official legacy website describes as, “fuzz, feedback and distortion.” We know the guitar was more than a tool to make music, it was an extension of his being.

We also all know how we felt about Jimi and his music. He was hard to dismiss, as a musician and entertainer, and also his persona created through a distinct style he made his own. Every boomer was aware of more than one of the songs Jimi left us, whether it’s his rendition of the Star-Spangled Banner at Woodstock or the recordings of Hey Joe, Foxy Lady, Purple Haze, The Wind Cries Mary, Crosstown Traffic or one Mister B’s favorites, Jimi’s cover of Bob Dylan’s, All Along the Watchtower.

So what else is there to be said about another boomer-era icon who left us far too soon? Boomers lost three within a year, all considered giants in their day and legendary icons since: Janis Joplin a month after Jimi, and Jim Morrison of The Doors followed on July 3, 1971.

Here are a few tidbits you may have already have read about Jimi, but they were new to Mister Boomer. He is relating them here in case you, like he, somehow missed out on this info.

  • A high school dropout, James Marshal Hendrix lived with his father after his parents divorced. He was arrested at age 19 on suspicion of auto theft, and given a choice of jail or the army. Rather than submit to being jailed, Jimi enlisted for a three-year contract. He entered the army on May 31, 1961.
    After basic training, James was assigned to the famed 101st Airborne Division. He did not distinguish himself to his superior officers, performing what they said was the minimum requirements of his duties. It was noted that he was more interested in playing his guitar than being in the army, and had accumulated multiple instances of returning late to the base on weekends. A report was filed that described James as not army material, and recommended that he be discharged. When James injured an ankle in a parachute jump — his twenty-fifth jump — army brass used it as the excuse to discharge him on the grounds of “unsuitability under honorable conditions.” James did not contest the discharge and left the army July 2, 1962.
  • With his army days behind him, he became a session musician under the name, Jimmy James. From 1962 to 1965, he appeared on recordings of Little Richard, Sam Cooke, Ike and Tina Turner and the Isley Brothers.
  • In 1965, he left session work and played smaller venues in New York City with his newly-formed band, Jimmy James and the Blue Flames. It was at one these gigs that Jimmy met Chas Chandler, the bassist for the Animals. Chas was looking to transition to music management, and became Jimmy’s manager.
  • After convincing Jimmy to move to London, Chas further convinced Jimmy James to change his stage name to Jimi Hendrix.
  • It was Paul McCartney who recommended Jimi to Monterey International Pop Festival promoters. Jimi blew the minds of the audience members with his rendition of Wild Thing and became an instant sensation stateside.
  • His fashion sense evolved through the years in similar ways to the Beatles and Rolling Stones. In the early days of the 1960s, he performed in a black suit and tie, like most musicians. Once he was living in London in 1966, friends and fellow musicians razzed him for his mode of dress since he constantly wore his army jacket. It was then he started shopping at vintage clothing shops in London to develop his own style of layering soft fabrics and contrasting textures and prints with vests, fringe and scarves.
  • Jimi and manager Chas bought a New York City night club in 1968 with the hope of adding a small recording studio inside it. Instead, Eddie Kramer, a longtime friend and sound engineer, told Jimi it was a bad idea for a musician in his twenties to own a night club. He suggested Jimi turn it into the best recording studio in the world. Jimi agreed and commissioned Kramer and architect John Storyk to construct the studio. Jimi named it Electric Lady Studios, and it became the first artist-owned recording studio. Its inaugural opening party was August 26, 1970. Three weeks later, Jimi was dead.

Mister B was introduced to Jimi’s sound the way he was to most music of the time; through sharing a bedroom with his brother, who brought records home and dropped them on the spindle of the record player in their room. In this case, it was the Are You Experienced? album. They were both in high school at the time.

How about you, boomers? Did you see Jimi play live? Do you remember the first Jimi recording you heard, either on the radio or played by a friend?

Boomers Got Their Kicks

Mister Boomer has been in a bit of a lethargic funk lately. While pursuing strategies to kick out his mood, he realized that we don’t hear phrases that use the word “kick” as much as we did in the boomer years.
Back then, you could get “kicked to the curb” by your best girl. No boomer wanted that. On the other hand, you could be “kickin’ it” with your friends. Or, you could “kick-start” your day with a bowl of Kix cereal, from General Mills. Usage and meaning ran the gamut: we “got our kicks” and in turn, we were “kicked in the seat of the pants,” among other sayings. It became part of the vernacular, so naturally, versions made their way into our music. So “kick back” and enjoy this little memory jog. Here are a few that come to mind:

Ain’t That a Kick in the Head – Dean Martin, 1960
The song was written for and featured in the Rat Pack film, Ocean’s 11, but Dean Martin’s single 45 RPM was released before the film. It actually failed to chart, but became associated with Dean Martin for years after. The song and phrase reiterate that there was crossover in the early years from our parents’ generation into both the music of the era and speech. The early 1960s would have Frank Sinatra, Perry Como, Brenda Lee, The Shirelles and Jan & Dean played on the same radio station.

 

(Get Your Kicks on) Route 66 — Chuck Berry 1961
Bobby Troup wrote the song in 1946, and it was first recorded by Nat King Cole that year. Chuck Berry’s version followed in1961; The Rolling Stones released their version in 1964.
It was indeed, a song about the fabled highway.
When the Route 66 TV show aired in 1960, the producers decided on an instrumental theme song to avoid paying royalties to Bobby Troup. Nelson Riddle was asked to write the show’s theme as an instrumental, which bore no resemblance to the original. Talk about getting kicked out of a gig.

Kicks — Paul Revere & the Raiders, 1966
At the beginning of an era of heavy drug use and abuse, this song had an anti-drug message. Here, “kicks” referred to drug use:

And don’t it seem like
Kicks just keep gettin’ harder to find
And all your kicks ain’t bringin’ you peace of mind
Before you find out it’s too late, girl, you better get straight
No, but not with kicks

Kick Out the Jams — MC5, 1969
Controversial because the lead singer opened the song by finishing the phrase, “Kick out the jams,” with a popular swear word — but only on the album — the hard-driving song nonetheless “done kicked ’em out.”

These four songs spanned a decade, and could not be further apart in their musical genres. The one link between them is “kick.”

How about you, boomers? How did “kick” find its way into your boomer life?