This week two icons of the boomer era passed away: Doris Day and Peggy Lipton. Both of these women recorded albums and both of them were actresses, but the two could hardly be more different. The contrast between them happens to illustrate the evolution of the Boomer Generation from the 1950s into the 1960s.
Though she started singing at an early age, Mary Ann Von Kappelhoff wanted to be a dancer. Her training would come in handy years later, on the silver screen. Nonetheless, she began singing at 15, which lead to her first record contract in 1947. Singing with several Big Bands, Doris Day became popular with servicemen during WWII and later, Korea.
She had a bona fide hit with Sentimental Journey in 1945, recording with Les Brown and His Band Of Renown. The song became a symbol for servicemen returning home. Her first foray into acting came in 1948 in the film, Embraceable You.
In the early 1950s, she starred in a series of musicals, in which she acquired the wholesome image of the girl next door. She attempted to jettison her image by accepting grittier, dramatic roles, including starring opposite Jimmy Stewart in Alfred Hitchcock’s The Man Who Knew Too Much in 1956. Her last film was With Six You Get Eggroll (1968).
While her acting career took off, she never stopped singing and recording. One of her biggest hits, Que Sera Sera, released in 1956, was used in the movie Please Don’t Eat the Daisies (1960) and The Glass Bottom Boat (1966). In 1968, it became her theme song for The Doris Day Show (1968-73) on TV.
Her real life was anything but the perfect world of the wholesome girl she portrayed on screen. She married four times, and in her autobiography stated that there was never any intention of projecting any image at all, by either herself or her publicist.
While Doris Day began her singing career at age 15, Peggy Lipton started modeling at the same age. Her first acting job came at age 19, and she soon appeared on a variety of TV shows, including The John Forsythe Show (1965), Bewitched (1965) and The Virginian (1966).
Most boomers, however, will remember Peggy Lipton for the TV show that catapulted her to popular fame: The Mod Squad (1968-73), in which three young, groovy outsiders became undercover agents for the police. Ironically airing the same years as The Doris Day Show, Mod Squad, was one of the earliest shows to have a multiracial cast (tagline, “One white, one black, one blonde”) and one of the first TV shows to depict the counterculture that was growing among boomers. As a result, she became a fashion icon with her flower child image: long, straight blonde hair and bell bottom pants. Capitalizing on her TV fame, she released her first album of mostly covers in 1968, from which she had a hit single with Donovan’s Wear Your Love Like Heaven. She released a second album in 1970.
Ms. Lipton married music producer-legend Quincy Jones in 1974 and they divorced in 1990.
In later years, boomers saw her in a variety of movies and TV appearances. Most notably, she came back as a regular character in David Lynch’s Twin Peaks (1989-91). In Angie Tribeca (2017), she played the role of the mother to the show’s title star, her real-life daughter with Quincy Jones, Rashida Jones.
As far as Mister Boomer was concerned, Doris Day was more for his parents’ generation. Granted, she was a terrific singer and actress of that time, but Mister B much preferred Peggy Lipton in The Mod Squad. Mister B did not hear any of Peggy Lipton’s records in his earlier years. She was definitely better on screen than on record.
What memories do you have about Doris Day and Peggy Lipton, boomers?