Boomers Loved Candy Apples

It’s Halloween time once again and you know what that means: pumpkin spice everything has co-opted the season. This year, it seems like the pumpkin spice products emerged around Labor Day. It wasn’t always that way, of course. In boomer years, the fall-leading-into-Halloween time was marked by the annual appearance of caramel and candy apples. In fact, for some people, candy apples were the go-to choice for giving Halloween trick-or-treaters. However, Mister Boomer did not appreciate this offering that added weight to his pillow case of treats. He was not a fan of the hard-shelled sugar candy coating, but the color and sheen — that was another story.

Candy apples were first made by Newark, New Jersey candymaker William Kolb in 1908. He was looking for a way to showcase his red cinnamon candy, and experimented with dipping apples in it. Displayed in his shop window, the shiny red apples with a stick in each one drew in customers, eager to try his new concoction. They were a big hit! The idea spread quickly to local and regional fairs, but early in the twentieth century, they became a popular giveaway treat for Halloween.

After the War, the Baby Boom began. Optimism was high in the country, and national mood was expressed by a series of heavily saturated colors. One of those colors was a rendition of that shiny red, inspired by candy apples. By the 1950s, a candy red could color could be seen on women’s handbags, footwear, jewelry and accessories, as well as home appliances.

It wasn’t long before the West Coast custom car culture experimented with methods of reproducing the color and shine that was pulsing through the consumer market. Mel Pinoli, of Pinoli’s Body & Paint Shop in California, is credited with creating the first candy paint color for cars — but it wasn’t red, it was green!

A couple of years later, around 1956, car customizer Joe Bailon built on Pinoli’s process in an attempt to create the color he saw on a set of Ludwig drums. Bailon’s method applied a metallic coat of paint (silver or gold) to the car, followed by a translucent dye layer, which was then covered with a clear lacquer. Sanding and polishing brought out the blends of each layer with a shine that mimicked Kolb’s original red cinnamon candy apple. Mr. Bailon called the resulting color, candy apple red. Voila! he painted the first car a candy apple red!

Mister Boomer remembers being wowed by the visual depth and beauty of a candy apple red finish on custom cars he saw in car shows and occasionally, in neighborhood parking lots.

In 1963, Fender guitars offered a candy apple red option for their iconic Stratocaster model for the added price of $15. The company offered the color only until 1974.

What about caramel apples? Not to be confused with candy apples, caramel apples are what the name says: an apple with a stick in it dipped in melted caramel, often rolled in crushed walnuts. Unlike its candy apple cousin, caramel apples were a true boomer-era invention, arriving in 1948. Mister B recalls Kraft caramels having as recipe for caramel apples printed on the back of the bag.

Mister Boomer much preferred the caramel apple variety, but not for Halloween. No way. To him, that was as bad as receiving a popcorn ball, or a plain apple! Nonetheless, Mister B concedes that somebody somewhere used to enjoy getting caramel or candy apples for Halloween, back in a time when homemade treats were an acceptable part of trick-or-treating.

How about you, boomers? Candy or caramel apple fan? Loved or hated the color?

Boomers Wore Bell Bottoms AND Flares

As we continue to debate the great questions of the Universe (Is a hot dog really a sandwich? comes to mind), the decades-old debate of bell bottoms vs. flares continues. Through his research on the subject, Mister Boomer has discovered that even in the boomer years, the two terms could be used interchangeably. However, as in the barbecue vs. grilled semantic battle, there are key differences. What those differences are depends on your source.

For the purposes of this pop culture reminiscence, bell bottoms differ from flares in the fit and cut. Both featured separate styles for men and women. Both featured a hip-hugging fit, but flares generally displayed a physical flare of the pant beginning at the knee or mid-calf. Bell bottoms could also begin their bell-shaped flare at the knee (hence the confusion). The difference from flares is, again generally speaking, over time as the sixties became the seventies, bell bottom styles expanded to tremendous lower pant widths that encompassed the shoes entirely.

Most people know the origin of bell bottoms began as the naval uniform of American and British sailors in the early 19th century. The shape was said to be easier for rolling up to the knee if work required, and if wet, could stay further away from the sailor’s body. Exactly how they were introduced and embraced by a growing boomer generation remains in dispute. Some sources point to the habit of boomers shopping at Army-Navy surplus stores in the early 1960s, where the pants were available. Other sources point to London, where a young man had his mother alter his ill-fitting jeans to give him more room in the hip. The story says she inserted an extra panel of material that caused the flare of the pants down the leg. When fashion designers on Kings Road got wind of a growing trend among the younger set to alter their pants in this manner, they jumped at the chance to co-opt it for their own. Either way, most sources credit the music scene as instrumental in the wholesale adoption of bell bottoms and flares.

Certainly by 1968, photos showing the Beatles, Rolling Stones and Jimi Hendrix sporting flared trousers were common. By the time Woodstock happened in August of 1969, it was practically the uniform of musicians. The audience at the festival also sported the style, but it was not universal. The height of the popularity of bell bottoms and flares would not occur until the 1970s. Many credit Sonny and Cher’s TV show, which began in 1971, as the tipping point for public acceptability of the style. By the mid-70s, it was the only style available for men in retail stores, even in dress pants. The size of the flare is what differentiated businesswear from more casual.

Mister Boomer has told the story of his first pair of bell bottom pants in an earlier post (Looking for Fun and Feelin’ Groovy). For the purpose of his historical decorum, at this particular juncture he prefers to remember his pants as flares and not bells. He continued wearing them throughout the 1970s, along with his peers. However, Mister B never wanted to venture into the realm of pant legs so wide they would completely cover his shoes. It wasn’t until the early 1980s when the last of his flared pants found their way into donation bags for charitable organizations.

How about you, boomers? Did you wear bell bottoms or were they flares?