Boomers Laughed Through the Cold War

Following World War II, the U.S. and Soviet Union engaged in a “balance of powers” exercise that was termed the Cold War. The rules were simple: each country had to accumulate more nuclear weapons to keep the other in check. Consequently, there was a massive arms build-up on both sides as the public at large was gripped with the fear of total annihilation. As Eve of Destruction, that great Cold War ditty from the sixties so succinctly put it, “When the button is pushed, there’s no runnin’ away.” It seemed hardly the time for laughing it up. Throughout history, though, we’ve had a habit of cutting our opponents down to size with humor. If you could laugh at them, then perhaps it could lessen some of the fear.

Our parents had done so in World War II. It is said that each generation develops their own sense of what is funny, and surely they had the likes of radio broadcasts and Spike Jones laughing “right in der Fuehrer’s face.” When you think about it, they surely didn’t have much to laugh about. Yet they grew up through more than a decade of the Great Depression, which was followed by a World War. Once the war was over, they still couldn’t relax as they were always on guard for potential enemies … and they found one in Communism. Perhaps this set up the boomer generation to be uniquely poised for a comedy explosion?

The first set of baby boomers were only six years old when the U.S. Department of Civil Defense produced that classic comedy of the Cold War era, Duck and Cover, in 1951. Not that they intended it to be a comedy, mind you. There is the very real likelihood that in the preceding years before Mister Boomer’s class was shown the film, it was taken all too seriously. Yet Mister B recalls that film, like so many others that were projected onto the portable tripod screen in the basement below the church. Lessons on school safety and proper bike riding would surely help the kids to be better citizens, so why not inject some civil defense knowledge, for their own protection? In Mister B’s class, however, the reaction was probably not what was expected. The lights went out and the familiar sound of the clicking projector could be heard, cutting the silence. Then it began, in glorious black and white, with that likeable turtle cartoon and memorable jingle. OK — so far, so good. Once the live action began, though, snickers started rolling through the assembled pre-pubescent crowd. Muffled at first, it could be contained no more when the scene of The Typical American Family enjoying a picnic saw “the flash” and grabbed the picnic blanket to duck and cover. A raucous laughter erupted that left the teachers aghast. The film clicked on as the children laughed and laughed at the silly scene of plates and food flying, the screen children’s heads ducking under the cover of their picnic “shelter.” The assembled kids couldn’t possibly understand the ramifications of a nuclear attack. They just knew funny when they saw it. When the group finally quieted down, they watched the remainder of the film in mandated silence.

Ike was our President and Commander in Chief at the time. He successfully saw the country through D-Day, and now he was protecting the country from the evils of Communism, especially as represented by the Soviet Union. The visible Soviet leader during those boomer years was Nikita Khruschev. In the spirit of detente, Eisenhower had invited him to visit the U.S. in 1959 following Richard Nixon’s participation in the Kitchen Debate. Khruschev came with his wife and children, and although it didn’t further Ike’s agenda the way he had hoped, it did provide fodder for satirists and comedians. Of the many spots the Soviet Premier visited on his 13-day trip, he was impressed with the agricultural education from the University of Iowa, and the self-serve cafeteria at IBM headquarters. Comedy gold! Like the reaction of Mister B’s class, all sorts of jokes about Ike, Khruschev, their unlikely meetings at Camp David and intercontinental ballistic missiles (ICBM) became fodder for the laugh machine. By 1960, the jokes were flying on TV and in the nightclubs. One such seminal star that weighed in on the subject was Bob Newhart. The young upstart would release The Button Down Mind of Bob Newhart that year, based on his stand-up routines. In an interview years later, he recalled that they needed an extra track for the album, so he tossed in “Kruschev (sic) Landing Rehearsal,” a re-imagined scene of the Soviet Premier being greeted at the airport. Bob envisioned it as the concept for a new TV show (can anyone say, Green Acres?), which never materialized.

Most boomers, however, are going to recall the unbelievably great Rocky and Bullwinkle cartoons (1959-61). The Cold War characters Boris Badenov and his sidekick, Natasha Fatale, and their Fearless Leader, were an integral part of the show. As Boris himself would put it, “It’s good to be bad.” In print media, Mad Magazine also got into the act with its long-running Spy vs. Spy cartoon series.

A few years later, comics were still making fun of the Cold War stalemate situation. After years of depicting bumbling Russian spies, comedy writers turned to creating bumbling idiots on our own side. On TV, Get Smart (1965-70), saw the likes of Maxwell Smart as Secret Agent 86. Clueing us in on the joke, the writers gave him the “86” moniker. The term “eighty-sixed” in common parlance means to throw or kick out. Somehow, Max always saved the day, with the help of his ultra-sexy partner, Barbara Feldon, as Agent 99 (one would presume out of a hundred).

The top of the heap of Cold War comedies for Mister Boomer is Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964). In 2014, the 50th anniversary of this Stanley Kubrick movie was celebrated. The movie starred Sterling Hayden, George C. Scott and the phenomenal Peter Sellars playing three distinct roles. It described a “what if” situation where a U.S. military general started the process that triggered full nuclear response from both sides, and the possible planning for the rebuilding of civilization the remaining leaders would need to accomplish with the survivors. If you haven’t seen it in a while, run to your nearest online movie ordering site to stream it, buy it or put it on your list immediately! Viewing it as an adult, in our post-Cold War era, has made the dark humor all the more poignant. Go forth and laugh it up, boomers!

What made you laugh at the Cold War, boomers?

This is an edited version of a Mister Boomer post from 6-20-10.

Want a Walnetto? You Bet Your Sweet Bippy!

Rowan & Martin’s Laugh-In was a TV sketch comedy show that was broadcast from January 22, 1968, to March 12, 1973. The show was known for its quick edits and one-liners — sort of a new Vaudeville for the Television Age. It was also known for its erudite political satire and cutting-edge humor. It launched the careers of several actors and comedians, but also spawned catch phrases that became part of everyday speech and culture. One of the things that endeared these phrases to the Boomer Generation was that celebrities — ranging from John Wayne and Jack Benny to a candidate for the office of President of the United States — appeared in incongruous cameo spots for their chance to utter these memorable phrases.

While some phrases were adapted from older idioms, others were unique to the times. Yet here we are, 40-plus years past the show’s final broadcast, and boomers across the country will remember every one of them. Were you sitting in the living room and watching Laugh-In when you first heard these phrases spoken?

Sock It To Me
Judy Carne was the first of the Laugh-In cast to speak that famous phrase, arguably the most famous of the Laugh-In phraseology. In fact, she was hired into the Laugh-In cast to be the “Sock It To Me Girl.” The wife of Laugh-In producer George Schlatter suggested the phrase may work into a nice skit after hearing Aretha Franklin sing Respect. That same year (1967), Mitch Ryder and the Detroit Wheels released Sock It To Me, Baby. So the phrase was out there, but now it was given new purpose.

http://www.youtube.com/watch?v=OpXP8abAv_w

In Laugh-In’s case, “Sock it to me” had a more slapstick connotation than that of the songs; every time Judy Carne said it, she was sure to be hit with something — from a hammer to feathers; splashed with water either from a bucket or rained on from above; dropped through a trap door or even shot out of a cannon.

Later, other cast members said the phrase with similar results, but when guest celebrities would say it, it was often as if it were a dare, asking the question, “Sock it to me?” The most famous of these was Richard Nixon. George Schlatter had sent invitations to both candidates for president in 1968: Nixon and Hubert Humphrey. Against the advice of his advisers, Nixon accepted, and the presidential candidate took six takes to say the famous phrase. Humphrey later said that his declining the invitation may have cost him the election.

http://www.youtube.com/watch?v=EoafIREAMD4

You Bet Your Sweet Bippy
Dick Martin often said this phrase when asked a question by Dan Rowan. The phrase meant something akin to, “to be sure,” or “of course I’m sure.” The term “bippy” is said to be a slang version of the human buttocks. Mister Boomer recalls kids saying the phrase because they felt it sounded like swearing. Kids found it was off-putting enough when voiced around adults, so they felt mischievously subversive repeating it. Since it came from TV, it was therefore technically acceptable and they wouldn’t be reprimanded.

Do You Want a Walnetto?
Walnettos are chewy caramel candies with walnuts that were first introduced in 1919. It was one of the top 10 best-selling candies through WWII, but faded in the 1960s. Laugh-In put the brand back in the spotlight, and popularity of the candy increased as a result of Arte Johnson’s character — the old man Tyrone — trying to use the phrase as a pick-up line.

Here Come De Judge
Comedian Pigmeat Markham used the phrase in his act for years, but before that it was heard in Vaudeville. When Mr. Markham discovered that Laugh-In was using his catch phrase, he petitioned George Schlatter to bring him on the show as a guest star. Pigmeat Markham did appear on the show and, dressed as a judge fro the ski to follow, said the phrase as a prelude to his own courtroom entrance. Schlatter liked him so much that Markham continued to play the part of “De Judge” for a whole season.

Flip Wilson was one of the cast members who got to shout the phrase, but most boomers will recall Sammy Davis, Jr. strutting across the stage and making the phrase his own. Many boomers repeated Mr. Davis’ dance and cadence in classrooms and playgrounds.

There were many other catch phrases that became famous from the show, including:

Beautiful downtown Burbank — which was the location of the studio in which the show originated.
Look that up in your Funk and Wagnalls! — a reference to the encyclopedia makers; Mister B’s family got their Funk & Wagnalls one letter book at a time as a bonus from the supermarket.
“I didn’t know that.” — Dick Martin used this phrase to respond to something that happened or was said in an episode.
Flying Fickle Finger of Fate — was an ersatz award invented by Laugh-In, and usually bestowed upon government officials or incompetent people. Announcer Gary Owens often repeated the alliteration in his show summary.
“Ve-e-l-l-l-ly eenteresting.” — Another phrase made famous by a recurring character on the show. In this case, Arte Johnson, dressed as a Nazi soldier and usually hiding behind a plant, observes the strange behavior before him and utters the phrase in his best fake German accent.
“One ringy-dingy…two ringy-dingies…” — Cast member Lily Tomlin invented her Ernestine character as a telephone operator in 1940s hair and dress. She would say the phrase in a nasal tone while waiting for the person she dialed to pick up the phone.
“Blow in my ear and I’ll follow you anywhere.” — Another catch phrase from Dick Martin. It was his way of adding a non sequitur to what might otherwise be an innocent-sounding statement by Dan Rowan.

Then, every show closed with Dan Rowan saying to Dick Martin, “Say good night, Dick.” Dick Martin would respond, “Good night, Dick.”

Of course, there were many more. The cast was constantly changing as the show launched the careers of new comedians — including Alan Sues, Arte Johnson, Goldie Hawn, Flip Wilson, Henry Gibson, Lily Tomlin, Jo Anne Worley and a host of others — while established stars appeared in cameo roles. Only Dan Rowan, Dick Martin, Gary Owens and Ruth Buzzi survived the entire run of the show.

How about it, boomers? Do you still find yourself repeating a Laugh-In phrase from time to time?