Boomers Knew What was Cool, Man

Every generation has its slang. Some words seem to sprout up spontaneously to spread across a population, while others tend to carry over from decade to decade. The use of slang during the boomer years is no exception, though the sheer quantity of phrases and slang words that help define the time may be unparalleled in history.

The dichotomy of the tumultuous sixties was echoed in the language of the time. In terms of slang, the beginning of the decade was mostly a continuation of the 1950s, being greatly influenced by the Beat Generation and the speech of jazz musicians. The latter half is when things began to radically change, as countercultural movements in music, fashion, drugs and anti-war sentiment all placed a colorful stamp on American English. Words, especially in the latter half the 1960s, appeared faster than you can say, “Can you dig it?” (itself a phrase that may have its origins decades if not centuries before).

Through the expanding slang lexicon of the 1960s, however, Mister Boomer peppered his daily speech mainly with two words, at least one of which has remained current in today’s culture: “man” and “cool.””

From song lyrics to TV shows, movies to street corners, man has been chronicled as an inherent part of the speech pattern of the boomer decade. Its origins may go back decades, as most associate its popular use with musicians in the 1930s and ’40s (i.e., “Man, that cat can swing!”). It was then picked up by servicemen from World War II, then by the Beat Generation, and brought to the culture at large.

The definition of man was rather generic — and like a lot of slang, depended on the usage to ascertain its full meaning. Often spoken at the beginning or ending of a sentence, it could be used to punctuate the phrase with an emotion like surprise, delight or disbelief. “Man, that was groovy!” would therefore have a different inflection than, “The Man is incapable of listenin’, man.” In general, man was either a question sent out to all within earshot (i.e., “did you hear what I said?”) or an exclamation that could have been a shortened form of mankind (as Robin might have said, “Holy mankind, Batman!”) However, as just noted, man was not to be confused with The Man, which was used as a term of disapproval for a person in authority, especially a “fat-cat” employer or government official. (That is, “working for The Man every night and day,” or “The Man is out to take away your freedom, man.”)

On The Many Loves of Dobie Gillis, Maynard G. Krebbs (Bob Denver) espoused the slang of his adopted persona as a member of the Beat Generation. Words such as “daddy-O” and “nowheresville” tended to fade through the sixties, but “man” and “cool” persisted. Speaking of which, Hans Conried is pretty cool, right?

Cool, on the other hand, appears to have an extremely long history. As such, it is one slang word that could very well be the longest-lived one that we speak today. Surely there are instances noted in movies, interviews and music where cool is used, especially by jazz musicians in the 1920s and ’30s. Some word historians point to cool being used in Shakespeare, and phrases such as, “cool as a cucumber,” or “one cool customer,” were common at the turn of the nineteenth century. Still others say cool was used in some slang form as far back as Beowulf. The usage of the word where the meaning is most associated with that used during the boomer years and on to today — i.e., from a detached sense of style and sophistication to something of the highest order — appears to have spread quicker in post-war America as the Beat Generation dispensed it in poetry, performance and speech.

For a young Mister Boomer, the words he had heard in neighborhood conversations eventually seeped into his brain and became part of his daily vocabulary. “Man, it was cool” would therefore completely describe a neighborhood teen’s tri-carb GTO to a group of schoolyard friends, who in turn could really dig where he was coming from.

Slang can differ from culture to culture, across economic strata and even neighborhood to neighborhood, in Mister Boomer’s experience. Yet as children at the dawn of the Media Age, how could boomers not consume that which would make them cool, man?

Of the dozens of groovy, far out words that arrived in our youth, what slang has stuck with you all these years, boomers?

Please note: This post is an edited version that was originally published by Mr. Boomer on September 25, 2011.

Boomers Were Feeling Groovy

Slang words and phrases rise and fall in popularity during every generation. While some slang lingers on, rediscovered by following generations to breathe continuing life into the vocabulary, others disappear from use and are relegated to the dustbins of history. In this latter category is a slang word from the Boomer Years: groovy.

It is thought that the word had its origins from the phrase, “in the groove,” spoken by Jazz musicians up to three decades before the first boomers arrived on the scene. The phrase described the excellent playing and rhythmic flow of a musician who had tapped into his or her ultimate improvisation. In subsequent generations, athletes riffed on the phrase to describe their peak performance status as, “in the zone.”

For boomers, “groovy” appeared in the early-to-mid-sixties. It was used primarily as an adjective to express a happy, good feeling. Though often associated with Flower Power and the Flower Children of the Summer of Love, there is evidence of its use earlier than that in pop music. Pop music was and continues to be one way that slang words are perpetuated. Mister Boomer has four songs here as examples of the use of the word, groovy. So consider this your Jeopardy! category for the week: songs that have a use or variation of the word “groovy” in the lyrics.

A Groovy Kind of Love
The Mindbenders, 1965

Wouldn’t you agree
Baby you and me
Got a groovy kind of love

Mister Boomer does not know if there was an earlier use of groovy in a song, but this was the earliest he could find. Written by Toni Wine and Carole Bayer Sayer, it was originally recorded by Diane and Annita in 1965. That same year, The Mindbenders, a group that had previously been the backup band for Wayne Fontana (The Game of Love, 1965), had a hit with it. Boomer-era musicians were so enamored with the tune that a series of singers covered it for the next half-decade, including Petula Clark (1966), Mrs. Miller (1966), Patti LaBelle (1967), Sony & Cher (1967), Gene Pitney (1967), and a host of others. Gen Xers probably remember the Phil Colins cover of the song in 1988.

Groovin’
The Young Rascals, 1967

Groovin’ on a Sunday afternoon

The song, with its soulful feel, described a variation of groovy, as if it was a throwback to its origins. This was the last album the band went by the name, The Young Rascals. After that, they used the name, The Rascals.

Reach Out of the Darkness
Friend & Lover (James and Cathy Post), 1967

I think it’s so groovy now
That people are finally getting together

The song peaked at number 10 on the Billboard Top 100. Ironically, the title is never actually sung within the song; rather, reach out in the darkness is the closest it gets.

59th Street Bridge Song (Feelin’ Groovy)
Simon & Garfunkel, released as a single in 1967 (B-side) and 1970 (A-side)

Slow down, you move too fast
You got to make the morning last
Just kicking down the cobblestones
Looking for fun and feelin’ groovy
Ba da da da da da da, feelin’ groovy

The song was included on the duo’s popular Parsley, Sage, Rosemary and Thyme album (1966), but was never a hit for them on its own. A bit of trivia for you: Two members of the Dave Brubeck Quartet played on the song: Gene Wright (bass) and Joe Morello (drums). Simon & Garfunkel also performed it at the 1967 Monterey Pop Festival.

In Mister Boomer’s experience, groovy never made it into the everyday vocabulary in his area; Mister B does not recall a single person saying “groovy”. In his region, neat, the ever-popular cool, or keen was used to describe a a happy, good feeling or something that was terrific.

Did you pepper your speaking with the word, groovy, boomers? What is your favorite groovy song?